Instant Family has an air of credibility and this comes from the fact that director Sean Anders’ screenplay is based on

Our very own Nobel laureate, in fact, the world’s youngest Nobel laureate, Malala Yousufzai, continues to inspire the

Pinky Memsaab is an acquired taste, character-driven and relies heavily on its three main leads — who are, fortunately

2.0 weds science fiction and supernatural into an amateurishly laid-out fantasy while Ralph Breaks the Internet triumphs

The dominant and mean Faiza Begum (Hina Dilpazeer) continues to treat maid servant Meeru (Aiman Khan) obnoxiously, which

With the release of 3 Bahadur: Rise of the Warriors the animated trilogy is coming to its natural end. But new horizons

That’s true!” laughs Shahrukh. “Our songs when we were in the danger zones were always better than the ones in the main

See the first and last pieces that Stan Lee wrote

THE AALU ANDEY VLOGGER He is an unsung hero of sorts. Ali Aftab Saeed of Bayghairat Brigade, who shot to fame with his

A plot involving boxers fighting in the ring whose own fathers faced off resulting in the death of one decades ago

THE WEEK THAT WAS Band Khirrkiyan | Hum TV, Fridays 9.10pm Sixteen episodes down, the saga of Subohi (Sarah Khan),

Widows is an OK heist flick, but an amazing critique of corrupt local politics

Shazia Ali Khan’s small-budget film Pinky Memsaab tells the compelling story of the struggles of the South Asian working

The horror genre, by default, is inexpensive and can potentially rake in huge box office numbers. Why, then, has

The Crimes of Grindelwald casts a yawning spell and a hex of frustration on the audience, showing that J.K. Rowling is

What a refreshing change! After the embarrassment that Coke Studio had to experience with Ko Ko Korina, it took

Tyler Perry says he’s done with Madea

A pianist, a clarinettist and a mezzosoprano from Germany were in Karachi recently for a concert

Sadan (Syed Jibran) is the ex-husband from hell. Instead of focusing on his rapacious new wife Rama (Feryal Mehmood)

Nandita Das’ Manto is more than a portrayal of the legendary writer. It is a comment on Partition, on religion