Iconic artist Jamil Naqsh passes away in London

Published May 16, 2019
Jamil Naqsh belongs to a generation of Pakistani artists like Sadequain, Bashir Mirza and Ahmed Pervez, who gave direction to Pakistani art after independence. ─ Photo courtesy Widewalls
Jamil Naqsh belongs to a generation of Pakistani artists like Sadequain, Bashir Mirza and Ahmed Pervez, who gave direction to Pakistani art after independence. ─ Photo courtesy Widewalls

Iconic Pakistani painter Jamil Naqsh passed away in London on Thursday after contracting "serious pneumonia" earlier this month.

Naqsh, 79, who had been settled in London for the last 10 years, was admitted to St Mary's Hospital on May 7, where doctors did not appear optimistic about his chances of recovery.

Jamil Naqsh is of a generation of artists such as Sadequain, Bashir Mirza, Ahmed Pervez, Shahid Sajjad, Masud Kohari, who gave direction to Pakistani art after the country's inception.

Pigeons are a popular subject in Jamil Naqsh's work. ─ Photo courtesy Jamil Naqsh Museum
Pigeons are a popular subject in Jamil Naqsh's work. ─ Photo courtesy Jamil Naqsh Museum

Born in Kairana, Uttar Pradesh, in 1939, Naqsh grew up in a home frequented by artists, writers, poets, musicians, politicians and others.

In 1954, Naqsh briefly joined the National College of Arts in Lahore. He was a serious student who was particularly drawn to miniature painting. However, he left NCA after a year to become a full-time student of dedicated miniaturist Ustad Mohammad Sharif. A year later, he moved to Karachi.

His first solo exhibition show was staged at the Lahore Arts Council and then the Karachi Arts Council in 1962.

Horses are another common theme in Naqsh's paintings. ─ Photo courtesy Jamil Naqsh Museum
Horses are another common theme in Naqsh's paintings. ─ Photo courtesy Jamil Naqsh Museum

He was conferred the Shakir Ali Award in 1980, and the President's Pride of Performance and the Artist's Association of Punjab Award for Pursuit of Excellence in 1989. The Arts Council of Pakistan also awarded him in 1982 to commemorate 20 years of his contributions to art. He was awarded the Sitara-i-Imtiaz in 2009.

Naqsh's style is distinct and easily recognisable, and his art has been described as both innovative and representative of his time period.

He was a consummate draftsman with an innate sense of colour and design. Basically a figure painter, he evolved a personal style over his six-decade-long career to portray famous personalities from Islamic history, gods and goddesses from Hindu mythology, Buddhist subjects and idealised figures such as Punjabi farmers, Kashmiri peasants, etc.

Opinion

Editorial

Sustainable path?
Updated 13 Jun, 2026

Sustainable path?

The FY27 budget is the first clear signal that the government is ready to transition from stabilisation to growth.
Prioritising education
13 Jun, 2026

Prioritising education

THOUGH the improvement in the country’s literacy rate may be slight, as highlighted by the Economic Survey, it ...
Poverty’s rise
13 Jun, 2026

Poverty’s rise

AS attention turns to the government’s plans for the coming fiscal year, one set of figures deserves particular...
A difficult story
Updated 12 Jun, 2026

A difficult story

Unless productivity becomes the dominant target of economic policy, Pakistan will continue to oscillate between crises and fragile recovery.
Rough waters
12 Jun, 2026

Rough waters

AMONGST the key potential triggers for fresh conflict in South Asia is water. The Indian state is behaving in an...
Politicised football
12 Jun, 2026

Politicised football

ALMOST three-and-half years since Lionel Messi led Argentina to FIFA World Cup glory, the latest edition of...