Street (smart) art

Published September 17, 2012

Zameen, Asman aur Mein (mixed media on clay title).-Photo by Dawn

KARACHI: Creating art featuring street children is no mean feat. It requires great care, because the artist needs to understand the idiosyncrasies associated with street life as well as the fine line crossing which that kind of art can become vain and meaningless. Life on the street is diametrically opposed to life in the living rooms. An exhibition of Sayeda M. Habib’s latest works titled ‘Challo’ is these days under way at the Canvas Gallery. The show succeeds to a great extent in achieving the goal of keeping true to street basics.

Jeay II (mixed media on clay tile).-Photo by Dawn

The 36 exhibits encapsulate the life that one sees on the street, and one of the most expressive specimens is ‘Jeay II’ (mixed media on clay tile). With a flair for sloganeering (imagine socialist chants on Pakistan’s roads) alongside a host of other colourful writings signify the socio-cultural hodgepodge that our society has turned out to be. This should not be mistaken that the artist has done this at the expense of the innate innocence with which such graffiti is made. That’s there too.

An interesting artwork is ‘Zameen, Asmaan aur Mein’ (mixed media on clay tile). The play of the slogan ‘Huq Baat’ (truth) is juxtaposed with dangerous ailments like cancer and thalassaemia. It is a sharp commentary on how politics borders on hypocrisy and how it often eclipses more important issues.

Portrait III (oil on aluminium tava).-Photo by Dawn

Ms Habib then changes the subject but not the essence of her endeavour. The eight portraits of street children (oil on aluminium tava) are a visual treat. They capture the kind of individuals these children are, whom anyone can see roaming around the streets giving two hoots about the rest of the world, but when they’re asked to strike a pose or do something publicly, their childish reluctance tinged with unknown eagerness has the better of them. In that context, ‘Portrait III’ might endorse the observation. It’s the picture of a young man who knows he’s being looked at, and yet finds it difficult to look that way. Instead he stares blankly outside of the frame.

Even then, his consciousness of being watched is noticeable.

The exhibition will continue till Sept 20.

Opinion

Geopolitical shift in ME

Geopolitical shift in ME

A prolonged conflict will have far-reaching implications for regional geopolitics, sharpening the divisions among Gulf countries that are directly affected by the tensions.

Editorial

Unyielding stances
Updated 13 May, 2026

Unyielding stances

Every day that passes without clarity on how and when the war will end introduces fresh intensity to the uncertainty roiling global markets and adds to the economic turmoil the world must bear because of it.
Gwadar rising?
13 May, 2026

Gwadar rising?

COULD the Middle East conflict prove to be a boon for the Gwadar port? Islamabad’s push to position Gwadar as a...
Locked in
13 May, 2026

Locked in

THE acquittal of as many as 74 PTI activists by a Peshawar court in a case pertaining to the May 2023 violence is a...
Bannu attack
Updated 12 May, 2026

Bannu attack

The security narrative and strategy of the KP government diverges considerably from the state’s position.
Cotton crisis
12 May, 2026

Cotton crisis

PAKISTAN’S cotton economy is once again facing a crisis that exposes the country’s flawed agricultural and...
Buddhist heritage
12 May, 2026

Buddhist heritage

THE revival of Buddhist chants at the ancient Dharmarajika Stupa in Taxila after nearly 1,500 years is much more ...