A silence has settled on the literary zone of Karachi, partly because of the hot and humid weather and partly due to the law and order problems encountered almost daily by the citizens.
But the city is fortunate to have small cultural units such as Bazm-i-Adab and Halqa-i-Fikro Danish - in New Karachi, Federal B Area, Landhi, Malir, Drigh Colony and many other areas.
These organizations continue to slog on in the most trying of circumstances and manage to hold mushairas and literary sittings at weekends. Some popular poets are much in demand. After reciting a ghazal at one place, they rush to the other end of the city to participate in another mushaira. In this way, the poets keep the literary scene alive.
One literary body, Halqa-i-Fikr-i-Jadeed, even chose a weekday (Wednesday) to hold a mushaira in honour of a poet from the Northern Areas who was returning home the very next day.
Saima Ali, with a published poetry collection to her credit, is a teacher of mathematics at an institute. She recited her fresh ghazals, which drew applause from everyone, with her emphasis on the uncertainties of life and the unjust world order.
Other poets also took part in the evening's proceedings. Rehana Ehsan recited the following lines:
Ya rab ab mein zinda rehna chahti hoon
Merey ghar mein phoolon jaisey bachey haen
A couplet from Salman Siddiqui was much admired:
Yeh shaher hai ke koee zakham hai lagaya hua
Yeh zakham hai to issey indimal chaheye hai.
Appropriate advice to those in power came from Qamer Jamali:
Masley hal naheen hotey sharar afshani sey
Dil jhulas jatey hein nafrat ki farawani sey.
Mushairas have developed a strong institutional base. In a recent interview with an Urdu weekly, poet Wasim Barelvi spoke of how he kept himself awake in mushairas 20 to 23 nights a month. The practice, he said, he had been following for the last 35 years.
Thus, roughly three-fourths of Wasim Barelvi's conscious life has been devoted to mushairas. That at least testifies to the stamina of our mushaira poets. They also serve Urdu as they carry its message to the farthest corner of the world and thus expand the area of its popularity.
Whether this is contributing to the scope and richness of the language is a different question. Urdu continues to lack a strong economic and social base, and while poetry has its appeal, we need Urdu books on sociology, physical sciences and current affairs.
Something else that Wasim Barelvi said in the interview needs to be noticed. He said somewhat proudly that he had found his place in literature not through 'chai khanas' and 'qehva khanas', but through libraries.
His derisive assessment of tea houses and coffee houses may not be true. These have served as cultural centres in cities the world over, including Pakistan and India, and have stimulated intellectual activity.
In fact, the gradual disappearance of such cafes in our cities as gathering places for writers, poets and artists should be seen as one of the factors responsible for the decline in creativity and informed debate.
Coffee houses in Lucknow, Allahabad, Delhi, Lahore and Karachi of yore had their own fascination, intellectual charm and grace, adorned by the presence of poets, university teachers, politicians, actors and bureaucrats. Exchange of ideas among them, followed by heated arguments and light banter, provided a link between literature and the real life.
Lahore's Tea House over the years became an institution in itself. Nasir Kazmi, Ejaz Batalvi, Shohrat Bokhari and in later days Habib Jalib and Safdar Mir had enlivened the place with their presence.
Karachi's Coffee House had a short life. It was eaten up by the vicious and rapid growth of commercialization in the city, particularly in Saddar. The late story writer and television producer Hameed Kashmiri wrote a nostalgic play under the title of Coffee House about those days - days now almost forgotten, like the Coffee House itself.
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Shansur Rahman Farooqui has been very much in the news lately. A revised edition of his book - Afsaney ki himayat mein - has just appeared in Karachi. Another, a collection of his letters, titled Shams-i-Kabir, has also been published. The letters were addressed to Kabir Ahmad Jaesi.
A poetry collection, Harf harf aaena, by senior poet Parveen Haider has also been recently published with comments from many stalwarts - Dr Farman Fatehpuri, Dr Pirzada Qasim, Prof Afaq Siddiqui, and others.
It seems most authors and poets are not always confident of themselves and want to have their success testified by winning favourable comments from the maximum number of colleagues.
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Short story writer Ahmad Yusuf was in the city from India. Author of four story collections and a collection of reportages, he had visited Karachi a few years ago when in a small circle of writers, he had read out his story 'Aag ke hamsai' based on Indra Gandhi's emergency rule. It is a symbolic story, its contents craftily woven in simple prose, the author's hallmark.
Ahmad Yusuf began his writing career in 1947-48, when the progressive writers movement was at its peak. In 1960, he was one of the active members of the modernist movement. He was the guest at a couple of functions held in New Karachi.