Alert Sign Dear reader, online ads enable us to deliver the journalism you value. Please support us by taking a moment to turn off Adblock on

Alert Sign Dear reader, please upgrade to the latest version of IE to have a better reading experience


Memory and faith

April 10, 2013

Sheherbano Hussain's piece artist only.

KARACHI: Artists are essentially a sceptic lot. This does not mean that they consciously shun issues pertaining to faith. It is against their grain not to examine those aspects of life that concern an individual’s growth, or lack of it, in society.

An exhibition of recent works by Sheherbano Hussain and Ayesha Shariff opened at the Chawkandi Art Gallery on Tuesday.

Both artists, using a variety of media, basically try and explore some of those factors that define the relation between individuals and groups, and groups and cultures. While Ms Hussain’s artwork tends to analyse the psychological side to human existence with reference to memory, Ms Shariff’s exhibits touch on the spiritual facet of life.

Ms Hussain’s photo montages titled ‘An Artist of the Floating World’ at first come

across as pieces of surrealism aimed at discovering one’s self. But then as the images become clearer to visualise, their understanding becomes all the more difficult, for the simple reason that they do not depict a single person’s situation: it’s a collective search, a struggle between memory and forgetting. Her oil-on-canvas tribute to, perhaps inspired by, Belgian artist James Ensor’s celebrated painting The Scandalized Masks is a striking work of art. It’s called ‘Artists Only (Recalling James Ensor)’. It is, for sure, the standout exhibit.

Ms Shariff believes in tasawwuf (spirituality) and is not particularly fond of

Songs of the Rainforest by Ayesha Shariff.

organised religion.

According to her, she has turned calla lilies into a symbol of heart and it happened after she received the flowers (lilies) accompanied by a Rumi poem. The one-petal form had her spellbound. This goes to show a monistic view of life, that is, the single petal denotes oneness of/in things.

The artist does not, however, see that in isolation, as she draws rich inspiration from nature and everyday life, hence the effusive use of

the colour green in ‘Songs of the Rainforest’ (acrylic on canvas) and the light-hearted play on house windows in ‘Somewhere a Window is Always Open’ (egg tempera on paper). The viewer can interpret it literally or can construe them as windows to the soul.

The exhibition will remain open till April 16.