Architectures of everyday life

Published May 12, 2026 Updated May 12, 2026 06:34am
 Some of the artworks displayed at the exhibition.—Fahim Siddiqi / White Star
Some of the artworks displayed at the exhibition.—Fahim Siddiqi / White Star

KARACHI: What does the phrase ‘body language’ mean? One of the answers is: a form of communication for human beings that does not involve ‘words’. This begs the question: is body language easy to decipher? Yes and no. Yes, because you can easily notice when someone expresses pain or happiness without verbal messaging. No, because it has a lot to do with instinct, and it’s never easy to interpret instinctual movements — they can be deceptive. A group show curated by Emaan Mahmud titled Bodies that Speak,which recently concluded at the Vasl Art Gallery, raises similar queries. The artworks that the viewer, in turn, get to see, are thought provoking and visually appealing.

The five participating artists — Alishba Binte Faysal, Farhat Ali, Lariab Ahmad, Maryam Arslan and Sarah Mir — treat the subject in a way that speaks volumes for their understanding of how to retain, and in certain cases enhance, the ‘aesthetic’ component of a painting while delineating a super serious topic.

As one enters the gallery space, one gets to read the following note on a wall: “This exhibition gathers artists whose works unravel the complete intersections of gender, identity and politics within the intimate architectures of everyday life. In living rooms, classrooms and wedding halls, the seemingly ordinary sites of belonging — the personal becomes the stage where the political quietly unfolds…”

 Some of the artworks displayed at the exhibition.—Fahim Siddiqi / White Star
Some of the artworks displayed at the exhibition.—Fahim Siddiqi / White Star

This ‘political’ element makes the subject super serious. But, and it’s an important but, the five talented souls, by virtue of artistic flair, present their creative pursuits as storytelling sessions.

This implies that the viewer doesn’t, in general, require the artist whose work s/he is seeing to say what the exhibit is all about — the displayed works have an intriguing quality to reveal before the viewer in an effortless way. One is not suggesting that they can be interpreted easily. Rather, one is trying to suggest that the stage where the person and the political meet are identifiable. This may be seen in the following impressive artworks: Alishba’s ‘The In Between’, Lariab’s ‘It Is My Shadow That Dances Along With Me, Maryam’s ‘The Geography of Joy’ series, and Sarah and Farhat’s untitled pieces.

Published in Dawn, May 12th, 2026

Opinion

A changed world

A changed world

The phrase ‘security provider’ sounds impressive but there is little clarity on what it means for the country.

Editorial

Bannu attack
Updated 12 May, 2026

Bannu attack

The security narrative and strategy of the KP government diverges considerably from the state’s position.
Cotton crisis
12 May, 2026

Cotton crisis

PAKISTAN’S cotton economy is once again facing a crisis that exposes the country’s flawed agricultural and...
Buddhist heritage
12 May, 2026

Buddhist heritage

THE revival of Buddhist chants at the ancient Dharmarajika Stupa in Taxila after nearly 1,500 years is much more ...
New regional order
Updated 11 May, 2026

New regional order

The fact is that the US has only one true security commitment in the Middle East — Israel.
A better start
11 May, 2026

A better start

THE first 1,000 days of a child’s life often shape decades to come. In Pakistan, where chronic malnutrition has...
Widening gap
11 May, 2026

Widening gap

PAKISTAN’S monthly trade deficit ballooned to $4.07bn last month, its highest level since June 2022, further...