KARACHI: It is astounding how the Shahnama, an epic penned by the Persian poet Firdowsi in the 11th century, still resonates with modern-day artists and poets, given the fact that it covers the history of Persian kings from ancient times. One of the reasons could be that the symbols employed in the poem have a timeless quality to them. An exhibition of artworks by Fazil Mousavi that recently concluded at the Chawkandi Art Gallery titled Hamzad, curated by Amra Ali,was also inspired by the Shahnama.

Seeing the artworks makes one wonder about the magic that the confluence of text and images conjures by transporting both forms of expression to a realm that’s aesthetically and cerebrally exciting in equal measure.

It is abundantly clear that Mousavi reads literature, Persian poetry at that. This in turn implies that the artist is aware of the exuberant cultural traditions that the subcontinent is heir to. At the same time, the unevenness in our society caused by the disruptive socio-political events perturbs the artist. Consequently, what one gets to see is a striking display of creativity brimming with a rich sense of history, Mousavi’s tremendous talent and an understanding of the inter-dependence of art forms.

In the artist’s words: “… When I got to read the text of the Shahnama in depth, its true significance was revealed to me beyond the musicality of the recital. This is not just a tale of adventure, but a mirror to the mythology, history and human emotions in which every nation can see the reflection of its conditions and events. The mythical stories are important in the same way as the other classical tales of the world. Such tales stay alive in every era with fresh meaning and interpretation… As far as my show is concerned, a few paintings are also being presented along with the recital of the Shahnama. In these paintings, some brief pictorial symbols peer out.”

The peering-out part is significant. Stepping into the gallery, the viewer will think as if the 13 exhibits are trying to engage him like a wise person tries to provoke an inquisitive person into raising questions. Once engaged, the viewer can’t help but marvel at the artworks and feel enlightened like an eternal learner. ‘Aadmi Deed Ast’ (print, ink, tea wash and gold leaf on paper) is a powerful example.

Published in Dawn, January 29th, 2025