Some of the artworks displayed in the exhibition.—Fahim Siddiqi / White Star
Some of the artworks displayed in the exhibition.—Fahim Siddiqi / White Star

KARACHI: The word ‘missing’ has reentered the lexicon with all its negative connotations that one can think of. But it can also be used in a positive way. For example, when someone says, ‘I miss you’, invariably the implication is that the absence of the person who is being missed has made the heart grow fonder.

An exhibition of eminent artist Munawar Ali Syed’s latest body of work titled Talash-e-Gumshuda (Search for the Lost) that’s under way at Sanat Initiative is an engaging show in the sense that the search that’s being referred to allows the viewers to participate in the artist’s creative output as creatively as they can. Therefore, it’s a positive.

Here’s what the artist has to say about the whole exercise: “My multidisciplinary art practice focuses on issues pertinent to the social stratification system that categorises people into standings of socioeconomic tiers based on factors such as race, colour, wealth, income and education. The effects of such influences are amplified in materialistic urban life in cosmopolitan cities like Karachi where social division creates anxiety, inequality and self-absorbed attitudes towards life… Through careful deconstruction of the aesthetic components of the most mundane and functional objects of consumption, often discarded and disused, I seek to transcend the traditional dichotomies such as structure from the agency, high from the low, concepts from the value and the sacred from the profane.”

These are words uttered by a deep thinker. But what’s so remarkable about the show is that Munawar is a ‘doer’ as well – an enviable combo. His work has awe-inspiring kinetic energy that results in the creation of some brilliant artworks. Primarily, he has used three different media to back up his arguments with. The first is pen and ink on archival paper (the ‘Diary’ series); the second is powder coated metal (the ‘Between the Lines’ series); and clear resin, silicon plastic, metal and paint (‘Hay Se’). And all of them are done with such artistic abandon and flair that it becomes difficult to claim which is the most striking. Probably, his ability to use art as a communication tool and his love for, and understanding of, the importance of lines come to the fore more forcefully in the ‘Between the Lines’ series. It’s like watching a play within a play. Stupendous!

A must-see show which concludes on May 19.

Published in Dawn, May 13th, 2022

Opinion

Editorial

Pathways to peace
Updated 27 Apr, 2026

Pathways to peace

NEGOTIATIONS to hammer out the 2015 Iran nuclear agreement took nearly two years before a breakthrough was achieved....
Food-insecure nation
27 Apr, 2026

Food-insecure nation

A NEW UN-backed report has listed Pakistan among 10 countries where acute food insecurity is most concentrated. This...
Migration toll
27 Apr, 2026

Migration toll

THE world should not be deceived by a global migration count lower than the highest annual statistics on record —...
Immunity gap
Updated 26 Apr, 2026

Immunity gap

Pakistan’s Big Catch-Up campaign showed progress but also exposed the scale of gaps in routine immunisation.
Danger on repeat
26 Apr, 2026

Danger on repeat

DISASTERS have typically been framed as acts of nature. Of late, they look increasingly like tests of preparedness...
Loose lips
26 Apr, 2026

Loose lips

PAKISTANIS have by now gained something of an international reputation for their gallows humour, but it seems that...