TARABO: With wooden spinning wheels and hand-drawn looms, Bangladesh is painstakingly resurrecting a fabric once worn by Marie Antoinette and Jane Austen but long thought forever lost to history.
Dhaka muslin was stitched from threads so fine that popular folklore in European parlours held that a change in the light or a sudden rain shower would render its wearer apparently naked.
The textile once brought magnificent riches to the lands where it was spun. But to revive it, botanists had to hunt halfway across the world and look for a plant believed gone from the face of the planet.
“Nobody knew how it was made,” said Ayub Ali, a senior government official helping shepherd the revival project.
“We lost the famous cotton plant, which provided the special fine yarn for Dhaka muslin,” he said.
Flowing dress garments weaved from the cloth were worn by generations of the Mughal dynasty then ruling the subcontinent before the fabric enchanted European aristocrats and other notables at the end of the 18th century.
A muslin shawl belonging to Austen — supposedly hand-embroidered by the “Pride and Prejudice” author herself — is on display at her former home in Hampshire, while a 1783 portrait of Marie Antoinette depicts the French queen in a muslin dress.
But the industry collapsed in the years after the 18th century conquest of the Bengal delta by the East India Company, paving the way for British colonial rule.
The mills and factories that sprang up in England after the industrial revolution produced much cheaper textiles, while European tariffs killed the foreign market for the delicate fabric.
The quest to bring back Bangladeshi muslin began with a painstaking five-year search for the specific flower used to weave the fabric, which only grows near the capital Dhaka.
“Muslin can’t be woven without Phuti Carpus cotton. So to revive Dhaka Muslin, we needed to find this rare and possibly extinct cotton plant,” said Monzur Hossain, the botanist who led the effort.
With local museums lacking any specimen of Dhaka muslin clothing, Hossain and his colleagues went to India, Egypt and Britain for samples.
At the Victoria and Albert Museum in London, curators showed them hundreds of pieces imported from Mughal-era Dhaka by East India Company merchants.
Genetic samples revealed that the missing plant was already in their hands, found by the botanists in the riverside town of Kapasia north of the capital. “It was a 100 per cent match, and some history books say Kapasia was one of the places where Phuti Carpus was grown,” Hossain said.
The plant is now being grown in experimental farms in an effort to raise yields and scale up production.
Published in Dawn, March 10th, 2022