The painting was originally known as ‘La Familia’ (The Family) when Diego Velázquez, a leading artist of the Spanish Golden Age, painted it in 1656, at the royal court of Spain. It was later renamed ‘Las Meninas’ (The Maids of Honour), oil on canvas, (125.2 inches × 108.7 inches) when the painting joined the collections of the Museo Del Prado in Madrid where it is still displayed.

Unlike other artists of his time Velázquez always represent his patrons (King Philip IV of Spain) at the centre of his work. The main character of the painting is a five-year-old princess, Infanta Margaret Theresa, in a beautiful dress who is gazing at the viewers and a complex network of relations established throughout the canvas. This painting illustrates the role of the subject-object representation to the level of a triangular relationship between the painter, his models and the viewers.— M.I.

Published in Dawn, Sunday Magazine, May 24th, 2015

On a mobile phone? Get the Dawn Mobile App: Apple Store | Google Play

Opinion

Editorial

Border clashes
19 May, 2024

Border clashes

THE Pakistan-Afghanistan frontier has witnessed another series of flare-ups, this time in the Kurram tribal district...
Penalising the dutiful
19 May, 2024

Penalising the dutiful

DOES the government feel no remorse in burdening honest citizens with the cost of its own ineptitude? With the ...
Students in Kyrgyzstan
Updated 19 May, 2024

Students in Kyrgyzstan

The govt ought to take a direct approach comprising convincing communication with the students and Kyrgyz authorities.
Ominous demands
Updated 18 May, 2024

Ominous demands

The federal government needs to boost its revenues to reduce future borrowing and pay back its existing debt.
Property leaks
18 May, 2024

Property leaks

THE leaked Dubai property data reported on by media organisations around the world earlier this week seems to have...
Heat warnings
18 May, 2024

Heat warnings

STARTING next week, the country must brace for brutal heatwaves. The NDMA warns of severe conditions with...