The seven deadly sins

Published August 20, 2013
Greed by Sara Chapra and Omar Omari.
Greed by Sara Chapra and Omar Omari.

KARACHI: Perhaps the most challenging part of an art installation is to make the aesthetics of an artwork involved in its construction commensurate with the concept that stirred the artist into creating it. Installations are a tricky art form. They often dupe the viewer by their sheer size or by talking more and saying less.

An exhibition titled ‘Seven Deadly Sins’ curated by Arshad Faruqui is under way at the Koel Art Gallery. As can be gauged by the title of the show, it is about the seven sins that mankind has always been asked to steer clear of, and it’s done in a setting that is as contemporary as it gets. Why? It’s done through collaborative installations by architects, artists and a writer.

While one can argue that the seven exhibits in a contextual framework are somewhat literal (for example, the association of a bed or charpoy with the word ‘lust’ does not make the viewer go crazy about its multifaceted interpretation) the creativity that has gone into the thought process defies literality. The same can be said about Samir Sadrudin and Naheed Mashooqullah’s effort.

‘Wrath’ is to do with antagonism, hence Raza Zahid and Pronit Nath depict it as a prickly issue that doesn’t let two entities (read: two neighbours) come close to each other. Mohsin Hamid and Omar Hassan make ‘gluttony’ their subject. The idea that space is being consumed through the excessive desire to eat is pretty simple to present. But eating is here taken as a form of pleasure. And the ephemeral nature of pleasure can be a dangerous thing, for it sometimes devours the devourer.

Sara Chapra and Omar Omari bring to light the political side to ‘greed’. The blood that’s being taken out of containers (or sucked) is not a parasitic urge but a result of inordinate greed to manipulate.

‘Sloth’ by Arshad Faruqui and Seema Nusrat is an attempt at showing how inactivity or lethargy can mess up things in bundles, which manifests themselves at a later stage in life.

Rashid Rasheed, R.M. Naeem and Sadia Rasheed handle ‘envy’ in a collective sense and do not deem it as an individual sin, as it were, whereas Usman Khan, Danish Shahid, Noor Saeed and Saadiya Talat find the letter ‘i’ in the word ‘pride’ as the root cause of all problems. This means, society should get rid of their ‘I’ specialists.

The show will continue till Aug 26.

Opinion

Editorial

Punishing evaders
02 May, 2024

Punishing evaders

THE FBR’s decision to block mobile phone connections of more than half a million individuals who did not file...
Engaging Riyadh
Updated 02 May, 2024

Engaging Riyadh

It must be stressed that to pull in maximum foreign investment, a climate of domestic political stability is crucial.
Freedom to question
02 May, 2024

Freedom to question

WITH frequently suspended freedoms, increasing violence and few to speak out for the oppressed, it is unlikely that...
Wheat protests
Updated 01 May, 2024

Wheat protests

The government should withdraw from the wheat trade gradually, replacing the existing market support mechanism with an effective new one over the next several years.
Polio drive
01 May, 2024

Polio drive

THE year’s fourth polio drive has kicked off across Pakistan, with the aim to immunise more than 24m children ...
Workers’ struggle
Updated 01 May, 2024

Workers’ struggle

Yet the struggle to secure a living wage — and decent working conditions — for the toiling masses must continue.