- Courtesy Photo
- Courtesy Photo

Sara Loren's characters first dialogues in Murder 3 go like this: Mujhay akaylay aur tanha aadmiyon ki aankhon mai aansoon acchay nahin lagtay.” Literally translated to, “I don’t like seeing tears in the eyes of alone and lonely men”

Tells you a lot about the movie doesn’t it?

Murder 3, a bland, borderline comatose, “official” adaptation of the Columbian thriller La Cara Oculta (The Hidden Face) flaunts the stock elements from Vishesh Films – gratuitous sensuality, lip-locking and bad dialogues – with wonted candor and of course that is perhaps the best reason to skip the ticket line at the cinema (unless, of course, you’re into what Vishesh Films are selling).

- Courtesy Photo

First thing first though: the only thing murdered in Murder 3 is one’s endurance and perhaps The Hidden Face’s originality.

Opening in South Africa, Vikram (Randeep Hooda), a struggling photographer, gets a job prospect and flies to Mumbai with his considerate girlfriend Roshni (Aditi Rao Hyderi), a prospering architect.

Vikram, however, has a problem with fidelity, and soon Roshni disappears, leaving behind a video-message on a SLR camera.

Truly hurt, Vikram resorts to an urban man’s best friend in these circumstances, alcohol.

Drunk to the core, Vikram’s intoxicated charms draw him to Nisha, a waitress with a knack for the disheartened.

They click, and shift into Vikram and Roshni’s out-of-city house, tailor made for haunting. Color-coded furniture, finely placed light sources, a haunted bathroom and as if you haven’t guessed, Roshni’s still there.

- Courtesy Photo
- Courtesy Photo

Ms. Loren, who once had a flourishing television career in Pakistan, now only has an average reception in Bollywood. The bathtub haunts her; the showers and the bathroom sink too.

While it may sound more like “Raaz 4” than Murder, the film is in fact, neither. What it is is bad.

Actually, make that abysmal – and that goes for the film’s soundtrack and its thread-bare side plot about Ms. Loren’s past romance and a police investigation, as well.

Mr. Hooda, often good, is emphatic and shifty without reason. He walks, delivers his lines, shoots pictures of models in bondage and lingerie, and takes his women to bed with the zealousness of a stunned buffalo.

Ms. Rao-Hyderi sways between adequate to amateurish, while Ms. Loren, a picture of perpetual pout, walks around like Sunny Leone’s character from Jism 2 (http://dawn.com/2012/08/10/movie-review-jism-2/): half-zoned out and perceptible to self-pity (at one point, she starts jumping on the bed like a 10 year old, breaking her character’s mold).

Debutant Vishesh Bhatt, though of a directing-lineage (he is Mukesh Bhatt’s son), has a lot of catching up to do. His actors are base sketches of what their characters ought to be.

- Courtesy Photo
- Courtesy Photo

There is a twist that saves Murder 3 from a bad ending, but since this is a copy-paste adaptation of someone else’s original idea, the points go to them. All Mr. Bhatt gets points for is botching up the execution. Placing cameras, lighting sets, importing horror doesn’t make a good film; but then again, that’s just me.

Directed by Vishesh Bhatt; Written by Mahesh Bhatt, with additional screenplay by Amit Masurkar; Music by Pritam and Roxen (band); Cinematography, Sunil Patel; Editing, Devendra Murdeshwar; Produced by Mahesh Bhatt and Mukesh Bhatt; Associate Producer Sakshi Bhatt; Executive Produced by Cristian Conti, Kumkum Saigal.

Starring: Randeep Hooda, Aditi Rao Hydari, Sara Loren, Rajesh Shringarpure, Shekhar Shukla and Bugs Bhargava.

Released by Fox Star Studios.

Mohammad Kamran Jawaid has been professionally critiquing movies for a while now – say more or less ten years, exclusively for Dawn. About 400 reviews and features later (he stopped counting a long time ago), not being as young as he was before, he still feels the urge to write for another couple of centuries.

Despite living movies 24/7 (his company (http://kamranjawaid.com) helps filmmakers make movies), he is still truly, madly, deeply in love with cinema; the root cause of this anomaly requires further clinical trials. His twitter (http://twitter.com/kamranjawaid) reveals very little about him, other than him being the Senior Film Critic for Dawn.com.

The views expressed by this blogger and in the following reader comments do not necessarily reflect the views and policies of the Dawn Media Group.

More From This Section

Movie Review: ‘Bhoothnath Returns’, better than the original

Bhoothnath Returns talks about a mix of emotions with a simple message: get up and vote.

Fashion, destroying Pakistan from within

The liberal, extremist, secular, treacherous agenda at work in local fashion - now exposed!

Goodbye, Archie

We could relate to the awkward bumbling teenager because, like us, he too was far from perfect.

Movie Review: Main Tera Hero, ‘Govinda Ishtyle’

Main Tera Hero is filler entertainment – the kind that slides in between more serious works of cinema.

Comments are closed.

Comments (2)

February 21, 2013 3:19 am
really this news & picture was not required in such a decent newspaper.
February 20, 2013 4:40 pm
LOL Moral police advisory: Parents strongly cautioned: children, especially adolescent boys and those into the dating game, will hoodwink you to watch this one.
Explore: Indian elections 2014
Explore: Indian elections 2014
How much do you know about Indian Elections?
How much do you know about Indian Elections?