You could say that Atif Aslam is Pakistan’s Madonna — in the sense that he’s quick to pick up on a trend, and appropriate it. No wonder he’s being called the ‘King of Genres’.
How successful he is with these appropriations is often questionable. He’s been from rock to pop rock to Sufi rock to Bollywood and back. His new songs have been Punjabi pop, where there was clearly a gap in the market for Atif to get into. It seems like more of an insights-driven marketing tactic than an artistic decision, but what to do.
His latest is Moonrise, an insipid ode to lovers “who love to the moon and back.” The song came out with a music video in which Atif — and the audience — only have eyes for the lovely Amy Jackson, but with a subtext of wondering why Atif Aslam finds it impossible to remember his own lyrics while shooting a music video. He lifelessly opens and closes his mouth like a sort of fish, and I must say the poor editor has done a decent job at trying to match whatever it is he’s doing to the vocals.
While Atif is devoid of all expression in the video, this is pretty much the case in his vocals as well. One would have been happy that he’s not indulged in the random murkis that have been his trademark since Aadat, but perhaps a few of those would have added some emotion to a song that feels like a creation of artificial intelligence.
It should be Atif Aslam’s goal to leave behind a legacy that can be a part of our cultural heritage — Moonrise won’t be a part of that
Okay, let’s have a look at what works: it is well-produced. Even though the producer did not manage to extract any emotion from Atif, the music is arranged and recorded well. The mix is great, too. That’s it. And honestly, in this day and age, teenagers are able to achieve this much on an iPad.
Although Atif’s devoted fans must no doubt love Moonrise, I would request him and his team to please dig a little deeper in the future, shake things up a bit. In fact, Cricket Khidaiye, which was basically a Coke commercial, pushed the envelope more than Moonrise does. So what if it was basically a Talal Qureshi song?
Atif has proven his talent as a singer, a songwriter and an artist capable of sustaining a career in a landscape as barren, hopeless and unforgiving as Pakistan’s enough times for us to expect him to deliver songs with some substance.
Or maybe what he really should be doing is giving Talal Qureshi a call and ask him to produce his next album, song or EP. At least he takes artistic risks. This is just boring. It’s never taken me so long to write a review, because summing up the energy to even write about something so forgettable was a herculean task.
I am certain that a few years… sorry I mean months — no, weeks — from now, most people will not remember Moonrise, and as an artist it should be Atif’s goal to leave a legacy that can be a part of our cultural heritage. Not this.
Nofil Naqvi is a director/producer and a music enthusiast, write to him @nofilnaqvi@gmail.com
Published in Dawn, ICON, November 6th, 2022
