FIVE decades have passed since America’s troubadours and beat poets flocked to Greenwich Village, filling its smoky late-night basement bars and coffee houses with folk songs and influencing some of the most recognisable musicians of the era.

A few landmarks of those bygone bohemian days — most recently portrayed in the Coen brothers’ film Inside Llewyn Davis, — still exist. The inspiration for the movie’s fictional anti-hero, Davis, was Brooklyn-born Dave Van Ronk, a real-life blues and folk singer with no small talent, who worked with performers such as Pete Seeger and Bob Dylan, but remained rooted in the village until he died in 2002

The Village stretches from the Hudson River Park east as far as Broadway, and from West Houston Street in the south up to West 14th Street. Its small scale makes it easy to explore on foot and perfect for a musical pilgrimage, but the arrival last summer of New York’s bike-sharing scheme, Citibike, makes for a more adventurous experience.

I picked up a bike outside Franklin Street subway station, south of the Village in Tribeca, and headed out to the river, at Pier 45. Looking south you can see One World Trade Centre: at 541m, it’s now the tallest building in the western hemisphere. Cycle or walk to the end of the boardwalk that juts out into the Hudson, facing Hoboken, New Jersey, and look to your left and you can see the Statue of Liberty. From there, it’s a short cycle to Bleecker Street, where designer boutiques mark the area’s steep gentrification.

But several older venues still exist, including the Bitter End, which staged folk “hootenannies” every Tuesday and now calls itself New York’s oldest rock club”. The White Horse Tavern, built in 1880, still stands on the corner of Hudson Street. It was used by New York’s literary community in the 1950s - most notably Welsh bard Dylan Thomas.

The original Cafe Wha? remains at 115 MacDougal Street, on the corner of Minetta Lane. In the bitter winter of 1961, when the Coen brothers movie is set, cash-strapped artists similar to Davis would take their chances at the open mic. It was here that Bob Dylan made his New York debut, and Allen Ginsberg and Jack Kerouac performed. Cafe Wha? continued to attract artists and musicians long after the Village folk scene gave way to rock’n’roll. A notice on the door catalogues a few of the famous names who played here: Jimi Hendrix, Jerry Lee Lewis, Little Richard and the Velvet Underground. It is still a popular music venue, with a house band playing five nights a week.

The real centre of the folk scene back then, however, was Washington Square, where musicians would gather on Sundays to swap ideas, learn new material and play. According to folk singer and historian Elijah Wald, the ballad and blues singers who sat around the fountain in the park created sounds that would influence artists from Joni Mitchell to folk-rock groups the the Mamas and the Papas. The hero of the Coens’ film is not Van Ronk, according to Wald, but he does sing some Van Ronk songs and shares his working-class background.

A block north of the park, on West 8th Street, is a historic 107-room property once known as Marlton House and home to many writers and poets, who were attracted by relatively cheap rates and the bohemian neighbourhood.

Sean MacPherson, who owns the stylish Bowery and Jane hotels nearby, has just reopened the building as the Parisian-inspired Marlton Hotel I popped in to its very comfortable lobby for coffee and a flick through its copy of John Strausbaugh’s The Village: 400 years of Beats and Bohemians, Radicals and Rogues. And I caught up with Strausbaugh later, to ask him about the village in the early 1960s, when young idealists were living hand to mouth and sleeping on friends’ couches.

“In 1961, if you were in any way an artistic person in America, in that vast American landscape, you were a lonely figure,” he said. “You heard about San Francisco, you heard about Greenwich Village, and you went there. You didn’t play there to make money; you went there to be heard.”

Many of the buildings and sometimes entire streets in the Village have been preserved and are now home to some of the most expensive real estate in Manhattan. A struggling folk artist might find a cheap meal in one of the student cafes around MacDougal Street, but they would never be able to afford to live in the area.

“It has not been completely finished off,” said Strausbaugh. “There are still a lot of theatres. But the people who make the music have not been able to live there for 20 or 30 years.”

— By arrangement with the Guardian