Aamer Hussein’s first book of Urdu stories sustains his lifelong engagement of writing about the life of the other with aesthetic, narrative and ethical care...
I invite you to meet Fahmida in the liminal act of translation beyond the wall that divides the living from the dead.
Through translation, Fahmida could move across temporalities and geographies. She was dictated by no singular logic
If one inquires into the lives of many intellectuals, violent gender politics becomes apparent.
Simply placing artwork in a public space does not make it public art.
From Khayaban-e-Shahbaz to Sachal Goth to Baldia Town, the trans community was done with this triptych of violence.