Bashir Mirza's mural at the Indus Valley School of Arts and Architecture.–Photo by White Star

KARACHI: Bashir Mirza was an iconic artist. It has been 12 years since he breathed his last, and his art has not lost any of its provocative appeal.

In 1997, on the eve of Pakistan’s golden jubilee celebrations, Bashir Mirza (or BM as he was fondly known) started to paint a mural on the campus of the Indus Valley School of Art and Architecture. Those who were there at the time say BM was not well and yet used to come regularly to the campus and draw the mural. He tentatively titled it ‘The Last Train from Amritsar’ highlighting the 1947 mass migration and the subsequent journey that Pakistan embarked on. The striking work of art was put on display on Wednesday for students of the institute.

The mural is a 12-panel piece each of which is 8x5ft in size. According to the curator of the Indus Valley School gallery, chipboard was used in the mural and deterioration can be noticed in it. It has become a bit of a storage nightmare.

Looking at the big work of art makes the viewer realise how diligently the great artist worked on it and what message he was trying to convey. The Last Train from Amritsar is written in white over sky blue background and spans three panels. A burnt train can also be seen in the setting, indicating the volatility of the whole migration process. However, it does not end there. The artwork is a story told in a certain progression. Phrases written in the Urdu language depict the fact that the (Pakistani) dream has gone sour. Habib Jalib’s famous line ‘Main nahin manta’, along with the reference to Faiz Ahmed Faiz’s poem ‘Hum dekheinge’ are there symbolising that the journey has not ended. This can be vindicated from the prosaic, in-your-face sentence suggesting the nation has been divided into ethnic groups (Sindhi, Punjabi, etc) and it does not seem to take pride in being Pakistani.

The colours used in the mural are bold and vibrant. The profuse use of red and black is deliberate. The darkness and violence that has engulfed Pakistani society is evident. Having said that, the mural is also a celebration of sorts — a tribute to those who work hard to keep the country how its makers had envisaged it. The display will run for three days.

Opinion

Editorial

A difficult story
Updated 12 Jun, 2026

A difficult story

Unless productivity becomes the dominant target of economic policy, Pakistan will continue to oscillate between crises and fragile recovery.
Rough waters
12 Jun, 2026

Rough waters

AMONGST the key potential triggers for fresh conflict in South Asia is water. The Indian state is behaving in an...
Politicised football
12 Jun, 2026

Politicised football

ALMOST three-and-half years since Lionel Messi led Argentina to FIFA World Cup glory, the latest edition of...
GB polls’ aftermath
Updated 11 Jun, 2026

GB polls’ aftermath

The new administration must address the region’s issues proactively.
Peace in retreat
11 Jun, 2026

Peace in retreat

THE ceasefire announced in April was supposed to create space for negotiations. Instead, it has been repeatedly...
A few good men
11 Jun, 2026

A few good men

IT was a brave move, no doubt. This Tuesday, in the land of the Afghan Taliban, a few good men decided to take a...