Two halves of Flemish 17th century family portrait reunited

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A baroque family portrait from 1626 showing the Portrait of a Father and Son (right), and the Portrait of a Lady (left) by Flemish master Cornelis de Vos is seen at the Nivaagaard Collection.—AFP
A baroque family portrait from 1626 showing the Portrait of a Father and Son (right), and the Portrait of a Lady (left) by Flemish master Cornelis de Vos is seen at the Nivaagaard Collection.—AFP

NIVA: Two separated halves of a 17th century Flemish painting have gone on display together for the first time, reuniting the family portrayed 200 years after they were torn apart.

The two artworks, which were once one, now hang side by side at the Nivaagaard Collection museum in Denmark, only a sliver of wall dividing the woman from her husband and son.

Several clues in “Double Portrait of a Father and Son”, created by Flemish painter Cornelis de Vos in 1626, suggested a woman may at one time have been present in the piece.

A mysterious shape can be seen on the lower right side of the painting, which has been part of the museum’s collection since 1907.

“You can see something in here. This is a dress and a knee underneath, and a part of the chair,” museum director Andrea Rygg Karberg said.

After a meticulous investigation, art historians found the missing woman, dressed in black with a tall white neck collar, or ruff, like her husband. “It’s once in a lifetime that something like this happens. It’s extraordinary to find the missing woman from a family portrait,” Rygg Karberg explained.

The mother was found in “Portrait of a Lady”, also dated 1626 by de Vos, which had been acquired at auction in 2014 by Dutch gallery owner Salomon Lilian, whose restoration uncovered a rural background.

It was thanks to a photo of the restored work published in an article that researcher Jorgen Wadum connected the dots.

Published in Dawn, March 17th, 2023

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