Maqsood Elahi Shaikh, a London-based writer, was in Karachi last week. He has compiled and published an anthology of literary writings - poetry, prose and short stories - titled Makhzan III, the earlier two numbers having been published previously.
Mr Shaikh was a guest at the Karachi Press Club when he explained many things about himself and his publication, "an effort to build bridges in the vast Urdu world."
He was born and brought up in Punjab, came to Karachi in the late 1950s, worked as a banker and then went to England in 1960. Fascinated by Urdu fiction, he wrote stories which were published in Pakistan and brought out an Urdu weekly, Ravi, from Bradford, where he had settled. Ravi, now defunct, was a popular literary and cultural organ of the Urdu-speaking people in England.
Asked by Prof Saba Ansari as to why the paper closed down, Mr Shaikh had a long story to narrate. Petty jealousies among writers and their indifference as well as economic factors came in the way.
When loan began to pile up, which Mr Shaikh realised he could not pay back, he was advised by his lawyers to declare himself bankrupt. He thought it was most humiliating, and decided to return all the outstanding sums in small instalments, which he did over the years. He is now living on pension after retirement from service.
Makhzan is an entirely different anthology from similar other publications. It carries the writings of Urdu writers living overseas. Mr Shaikh said he sends a selection to critics of his choice in Pakistan and India, maintaining complete secrecy.
The material marked out by the critics and is then published in the Makhzan. Mr Shaikh appears to be keen to remind subcontinental writers that their counterparts living overseas are making their own contribution to literature.
Himayat Ali Shair, Shamshad Ahmad, A. Khayyam and Haider Malik were present in the audience at the Press Club. 'Hamd' and 'Naat' by Khwaja Mohammad Arif and their critical evaluation by Prof Nisar Ahmad Farooqi (India), Mohammad Ahmad Sabzwari says nothing unusual about them, except that a poem written for children, 'Aashi nay ek bakri paali,' placed along with a ghazal 'Nazr-i-Ghalib' looks ridiculous.
A short-story by Qaiser Tamkeen illustrates the socio-political atmosphere of the Muslims in the West. Noted critic Waris Alvi's comments on the story make it even meaningful and readable too. Jatender Bilo's stories based on the sexual mores of a group of middle- class persons fully reflect the permissive West.
A day before, Mr Shaikh was the guest of the Bazm-i-Adab-o-Saqafat. Ms Huma Bokhari welcomed the guest and Prof Afaq Siddiqui, presiding over an informal meeting, admired Mr Shaikh for his services for the promotion of literature in foreign lands.
Among those who spoke were Prof Sahar Ansari, Ahmad Hamesh, Jamal Naqvi, head of the Urdu-Sindhi Foundation and Afzaal Siddiqui of the Bazm-i-Nashoor. Poets were also there to pay their compliments in verse.
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It was more than a century ago when Maulana Hali and Maulvi Muhammad Hussain Azad had laid the foundation of thematic poetry. They composed poems on social and environmental themes, that led to a strong literary movement and was to prove a harbinger of progressive poetry in the years to follow.
But the tradition has been only fitfully observed since then. An advertising agency now plans to hold a mushaira next week to serve a national cause. 'Kum bachchay, khushhal gharana' is the theme.
Birth control and family planning have always been favourite topics for some poets, but not of a serious type. To my knowledge, only humour writers have found the subject attractive. It was perhaps Shaukat Thanvi who wrote the following line:
Ae merey noor-i-nazer, lakht-i-jigar paida na ho
Zamir Jafri was more meaningful when he said:
Shauq say noor-i-nazar, lakht-i-jigar paida karo
Zaalimon thori si gandum bhi magar paida karo.
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'Hum hain naqeeb-i-fikre nau' (we are the clarion-call of the future) - this long title and tall claim belongs to the junior section of the literary committee at the Arts Council, Karachi. Perhaps it was coined to release the pressure the Council has been facing due to growing number of so-called creative writers, specially poets.
The first meeting of the new body was held on Monday. Presided over by Arif Shafeeq, the poet and literary journalist, and conducted by a young Shaukat Ali Unqa, it was more of a mushaira than a literary sitting. The compere was another young poet, Abid Yaasim. Love was the common theme of the ghazals recited. But there were some allusions to reality also:
Aik lambi musafrat ke liyey
Ghar pey taley laga diyay mein nay
Ek nae rastey ki khahish mein
Saray rastay ganwa deyay mein nay
(Shaukat Ali Shaukat)
Some not-so-young and some positively elderly poets were also invited to participate. Perhaps this new forum, whose meetings will be held on every Monday, shall also cater to the needs of superannuated mediocres who were denied access to major literary forums.
Naqqash Kazmi, who recited his poem and a ghazal for the benefit of young learners, advised them to study classical and modern poetry. He also told them to show their writings to any experienced elderly poet before presenting them in public.
As the mini-mushaira - that is what one may call it - came to an end, the name of a story writer was called to present his story. It was perhaps too much to test the patience of the listeners. Naturally, many left.