Tollinton to house a museum
By Mahmood Zaman
For the first time in more than eight decades, a fairly successful attempt has been made to arrest the decay of Tollinton Market on The Mall. More than that the exquisite colonial period structure has been dedicated more or less to the purpose which was specified for this building when it was completed in 1863.
The Tollinton Market issue has passed through many controversies over the last decade or so. To begin with more than one department laid claim over its proprietorship and delayed unnecessarily the plans for building’s conservation. This period also saw art historians and architects criticizing authorities for adding to the complexity of the matter.
Starting from Manzoor Wattoo, under whose rule in 1994 the building was closed because of its precarious condition, the criticism passed on to Shahbaz Sharif, and then to two governors of the military regime, Mohammad Safdar and Khalid Maqbool.
What has finally been decided is that this building will house a museum. Will it be a city museum or a museum of national arts and crafts is yet to be resolved. Already there is thinking that it should be so fashioned as to portray Lahore through the ages, highlighting its art and crafts from the period of Hindu mythological prince Loh, the son of mythological Lord Ramachandra, who is understood to be the founder of this great city of South Asia.
Another suggestion is that it should display the arts and crafts of four provinces, particularly those which are feared to go extinct and are rarely employed in the modern era. The second option seems to be finding more favour with the project bosses who have already designed an art and craft bazaar as part of the project, which is nearing completion.
The arts and crafts bazaar has been designed in the eastern hall of Tollinton Market where 14 shops on both sides have been constructed. Each of the splendid shops has an arched wooden balcony with latticed niches. The managers of the project plan to show artisans from the four provinces and Kashmir at work in these shops and also ensure marketing of their products.
The other option focuses on an exhibition of the development of the city and its crafts through the ages. History and physical geography of Lahore, comprising mainly maps, plans and photographs and condition of each and every area and monument in the Mughal, Sikh and British periods, will form basis of the exhibition. A display of the works of art and crafts will be added later on. It will hopefully include textile and carpet weaving, woodwork, leather work, metal work, porcelain ware, armoury and other arts and crafts in different periods of Lahore’s history. It is almost impossible to revive Tollinton Market’s original architecture (of 1863). The structure which has now been restored belongs to 1920s when Sir Ganga Ram converted it into a municipal market. It was called Ganga Ram Market for a brief period between 1922 and 1927. Later it was renamed Tollinton Market, but it was no longer the old building.
The Tollinton was originally built to house the first Punjab exhibition. The building was completed in the late 1863 and the exhibition started on Jan 20, 1864. The purpose was to put on display Punjab’s agricultural products and manufacturing and art industry along with specimens of antiquity. The exhibition continued till 1870 when Prince Victor laid the foundation of the present Lahore Museum. The Tollinton was formally notified as a museum when Lord BH Beadon Powell, manager of the exhibition, became the first curator of the Lahore Museum, which covers an area of 27,850 square feet.
The Tajdeed-i-Lahore Committee, which was constituted in 2000 to take up restoration of some of the old buildings on The Mall and the adjoining streets to their original architectural splendour, is in charge of Tollinton Market’s conservation and conversion into a museum. The Parks and Horticultural Authority and the City District Government have joined hands to finance the job. But it is still to be decided who will ultimately own and manage Tollinton.
Project consultant Sajjad Kausr, a member of the National College of Arts faculty, says three western halls will be used for the museum while the central hall will serve as a sitting area where replicas of the colonial period furniture will be installed.
The building will have no cafeteria and eateries will be provided in the backyard. A green lawn will be developed and few shops for souvenirs and a parking lot for 40 cars provided in the basement.
Talking to this correspondent, he said restoration of the original structure was difficult if not impossible. If the original design is to be restored, then 15 to 20 feet of The Mall will have to be added to the structure. “What we are doing is conservation and restoration of the building as it existed in 1922.”
This job, too, was not easy because no repairs of the building had been carried out since 1922 and when the project was undertaken, the structure was about to give in. Huge walls separated the various halls, and arches had disappeared because of these ugly structures. Their demolition was not easy. The entire structure was full of shrubberies while wooden beams had been eaten up by termite. Many portions had fallen while others were in an advanced stage of decay. The building had no damp-proofing. Now that this important work has also been done. “We have saved the building for another 50 years,” said Prof Kausr. In all about 25 per cent of the backyard will be covered while the remaining 75 per cent will be an open area. As for the sort of museum to be developed in the main building, Prof Sajjad said he would prefer it to be a British period display centre, because it was a colonial building. Faqir Syed Aizazuddin is believed to have promised to donate his rich collection of the period to the museum.
A committee of experts and not a government department should manage the museum, like in the case of Mohatta Palace in Karachi, answered an NCA teacher when asked who should take care of the Tollinton Market after completion.

