One cogent example of it is her insightful piece in which a donkey-cart laden with bricks is being pushed by the rider. The struggle can be easily sensed. But it’s not the toil that makes the artwork striking; rather it’s the dark black background topped by a layer of dark redness that makes the scene stark and serious. The tone of the whole picture looks graver than the physical strife that pans out before the viewer’s eyes.
This brings us to the main components of the artworks: they are unadulterated colours, men and women, and animals. Anyone who knows a little bit about symbolism will realise that these three have a close relationship and can be mutually exclusive or reinforcing, depending on the kind of society they coexist in. This is exactly the point where Kaiser must be commended because the artist has tried to define (read: redefine) their relationship.
The exhibition will continue until Jan 30.