EXHIBITION: TELL ME MY DREAMS
Surrealism enjoys a prestigious place in art history as an avant-garde movement that sought to unlock creativity by accessing the unconscious mind. The beauty of Surrealism is its timelessness — even years after a movement goes out of style, it attracts enthusiasts who can still be found retrofitting their work with homage to a bygone era for the sake of adequate self-expression, or simply in the name of nostalgia.
Shakil Saigol’s latest body of work exhibited at the Canvas Gallery in Karachi, does exactly that with a string of exquisite works that take him back to his 30-year-old obsession. The artist explains that he was beginning to question the meticulousness of his art practice and whether it restrained his creative impulses, and decided to let loose and paint what he wished. Accessing the deep crevasses of his mind he brought forth fantastical imagery about anything and everything.
As is true for all surrealists, Saigol’s work also makes use of recurring symbols throughout the show, which in some cases change meaning from one painting to another. While some of these appear as personal motifs from his past or from his everyday life, others are nods to some of his inspirational heroes. The elongated legs of the zebra in ‘Zebra Phantasma I’ are inspired by Salvador Dali’s elongated horse and elephant legs in his ‘Temptation of St Anthony’ and ‘The Elephants’. The vivid greens and abundant vegetation in a dream-like atmosphere seems to be a tribute to Rousseau, and the style of the self-portraits is reminiscent of Frida Kahlo, while the presence of monkeys in a couple of pieces is a tribute to both.
Shakil Saigol revisits his earlier obsession by accessing the deep crevasses of his mind to bring forth a blend of reality and imagination
The lotus leaf that can be seen throughout the works is not only a call back to his Indian origins where the flower is abundant, but also his tribute to A. Ramachandran whose paintings frequently feature them. In the “Negotiating the Lotus Wilderness” series we see a female figure, assumed to be the artist’s granddaughter, dressed in white flying through a forest of tall lotus leaves which can be seen as their attempt at negotiating their past with their present, or perhaps a negotiation between two generations. ‘Revenge of the Lotus’ thus becomes a rather poignant piece in this context.
These works are also important to the artist as he unveils his two granddaughters as his muses as they appear in a number of the pieces. We also see his wife in one of the pieces next to a self-portrait which both seem to depict their inherent dichotomous natures — the artist himself possessing a fiery passion and creativity while his other half is more introverted and subdued, attempting to hide behind her gossamer hands.