Brendel bows out
By Alan Rusbridger
AT 8.13pm on Dec 18, one of the greatest pianists of his, or any, age sat down to play in public for the last time. Alfred Brendel spread his tails behind him, adjusted the stool and, for the final time, beamed his readiness to the conductor.
Two weeks before his 78th birthday, he was ready to bring down the final curtain while still at something like the peak of his powers. To choose such a moment of finality is, for a pianist, a comparatively rare thing. Arthritis gets some in the end; others die in harness; for some, the phone gradually stops ringing. Brendel decided he would rather be in control of the moment.
And he chose the ‘Musikverein in Vienna’, that gilded, white-tied and chandeliered temple to high culture. Brendel may love living in London, but it was to Vienna that he returned to mark the journey that had begun 60 years previously.
Brendel has described this Mozart concerto as “a wonder of the world”. The first of the piece’s startling breaks with tradition is that the piano enters in the second bar, before the orchestra has had a chance to describe the landscape. Brendel kept his hands on his lap for the first bar and a half, as if trying to trick even this most knowing of audiences. It was a typical moment of pure theatre.
The performance was everything we have come to expect of Brendel: technically assured and unshowy; surprising in both small and large ways; sensitive and intensely thoughtful. If the occasion got to him at all, it showed only in the quiet passages, when he vocally willed himself to capture the pathos, the flashes of humour and the serene beauty of the melodic line.
The slow movement was an extended dialogue with the Vienna Philharmonic Orchestra, under the baton of his 83-year-old friend Sir Charles Mackerras — the piano sometimes passive, sometimes urgently assertive, sometimes imploring and plaintive. Some may have expected a playful finale, but we didn’t get it. There was a tone of gentle, elegiac acceptance; though a hint, too, of not wanting the music to end quite yet. Nor did it. The hall rose to thunder out of such respect that Brendel returned to play the haunting arrangement by Busoni of Bach’s chorale ‘Nun Komm, der Heiden Heiland’. The orchestra and audience listened in total silence, then demanded more. Brendel shrugged. He waved a coquettish goodbye. He crossed his arms over his heart and bowed.
After half a dozen returns, he played — for one last time — Liszt’s ‘Au Lac de Wallenstadt’. In an irony that would not have escaped him (he has written a poem on the subject), he played to the accompaniment of a ghostly mobile phone ringtone for a few bars.
These last minutes marked not only the end of his career, but the severing of the thread that links generations of the great instrumentalists.
At the end of all the applause, Brendel smiled with what looked like a surge of relief and gestured down into the audience, which included all four of his significant pupils: Kit Armstrong, Imogen Cooper, Paul Lewis and Till Fellner. He seemed to be saying, “That’s me. Now it’s over to you.” And so the baton was passed on to the next generation. For Brendel, the rest is — in public, at least — silence.
— The Guardian, London


Construction of history
By Mubarak Ali
IN the process of undergoing decolonisation, colonised countries adopted two methods to gain freedom. One in which political parties and their leadership, by adopting constitutional means, agitated, demonstrated, organised protest meetings, mobilised people to resistance and subsequently negotiated, on the basis of mutual understanding, the terms of independence.
Where this mode was not successful, they declared war against the colonial powers and, after the sacrifice of thousands of people, won independence.
The first category is generally referred to as the ‘struggle for freedom’ and the second one as a ‘war of liberation’.
When a new country emerged as independent, it became the responsibility of historians to construct its history from a fresh perspective and provide basis and legitimacy to its foundation. The distant past which was forgotten or distorted during the colonial period was resurrected to link it with the present in order to obtain a continuity of history.
In the case of Bangladesh, we find that it experienced both phases leading to its independence: the struggle for freedom as well as a war of liberation. In 1947, as a part of the Muslim League campaign to have a separate homeland for the Muslims, it participated in the independence struggle and, after the partition of India, it acquired the new nomenclature of East Pakistan. In 1971, disappointed and disgusted by the policies of the West Pakistan government, when all negotiations for a peaceful solution had failed, military action forced its people to fight a war of liberation and East Pakistan transformed itself into Bangladesh.
Like all newly independent countries, it became the task of Bengali historians to find a new basis for their history. First, the separation from West Pakistan was called the ‘war of liberation’, meaning that the freedom of their country was earned not through peaceful means but by fighting a bloody war. To provide material to historians, the Government of Bangladesh published 15 volumes of documents on it. To remember it, monuments were built and a museum set up. Those who sacrificed their lives during the war were immortalised as heroes.
Further, historians looked at its history beyond 1971. According to one view, Bengal from the very beginning had a separate identity, history and culture.
Though it was conquered and subjugated by north Indian ruling dynasties it never lost its spirit of independence. Moreover, throughout history it provided refuge to rebels and dissident groups and resisted the exercise of central power, thus indicating its spirit of freedom, opposition to exploitation and love for justice.
They glorified the past by tracing its history to an ancient period. Bengal was a rich and prosperous country. It had a golden period when there was no famine or starvation. It developed its textile industry with such skill that the muslin of Dhaka became famous throughout the world. In trade and commerce it had relations with its neighbours and its towns had markets which were full of merchandise and all types of commodities. It is argued that the people of Bengal had a sense of nationhood and took pride in their culture and identity which ultimately culminated in separation from Pakistan.
During the colonial period, an attempt was made to break its national unity by dividing it in 1905. However; its response was so sharp that the British government was forced to annul its decision in 1911.
At the time of partition, Huseyn Shaheed Suhrawardy along with other Bengali leaders wanted to have an independent Bengal. The Muslim League leadership accepted the plan but Congress refused it and ultimately it was partitioned on the basis of religion.East Bengal or East Pakistan suffered as a part of Pakistan. The Pakistani state failed to integrate the Bengalis in the political mainstream. Their language was not given national status. Politically they were not treated on the basis of equality. Their financial share did not go towards the development of their province. Religious nationalism failed to keep them united.
Therefore, historians argue that the separation of Bangladesh was based on linguistic nationalism rather than built on religious lines. They call it Bangladeshi nationalism. Moreover, in the newly constructed history, the role of the Awami League, its leader Mujibur Rahman and the Mukti Bahini is more eulogised while other factions and groups who struggled and fought are either marginalised or ignored altogether.
There is a group of historians who look at its independence with a different point of view. According to their arguments, war and the separation of Bangladesh were the result of conflicts between two elite classes constituting Bengalis and West Pakistanis. As the ruling classes of West Pakistan were dominated by the landed aristocracy, it was not in their interest to share with the Bengali elite class. This caused a disruption in relations, resulting ultimately in the break-up of the country.
However, the common people did not get anything. One exploitative system replaced another. Pakistanis in general are not aware of the history of Bangladesh; it is time to study it and understand different points of view.


