Book on Hasan Nizami’s writings
By Dr Rauf Parekh
SKETCH-WRITING in Urdu has come of age now. But this genre developed quite late in Urdu and owes much of its current prominence to those who wrote sketches in the early twentieth century. Farhat-ullah Baig, along with Rasheed Ahmed Siddiqi and Moulvi Abdul Haq, is considered one of the most prominent practitioners of the craft. Khwaja Hasan Nizami (1878-1955) is also remembered for, among other things, his sketch-writing. In fact Hasan Nizami is considered among those who popularised the genre of sketch-writing with their lively and light-hearted sketches.
Born in the family of the custodians of Hazrat Nizamuddin Aulia’s mausoleum, Delhi, Hasan Nizami had a multi-faceted personality. He was a mystic, a historical-fiction writer, a travelogue writer, a journalist and a humorist. Once, in his youth, he became a sadhu, or a mendicant. Though he began his practical life, with a little formal schooling, as a salesman selling books from door to door, when he died he was the author of over 100 books and pamphlets. He brought out many newspapers, ‘Munadi’ being more famous among them, written mostly by himself. He even sold eastern medicines and curative oils. He was a bookseller-turned-writer-turned-businessman. It is a pity that no proper and in-depth research or critical work has been carried out on him though his enigmatic personality and prolific career as a writer arouses a lot of interest.
Khwaja Hasan Nizami’s prose is simple and colloquial yet chaste and idiomatic. He wrote many interesting sketches but nobody cared to collect these sketches and they remained scattered, rather buried, in the pale and dusty issues of old journals and newspapers.
It is much to the relief of lovers of chaste Urdu prose that Dr Abu Salman Shahjahanpuri has come up with a collection of Hasan Nizami’s sketches, titled ‘Khwaja Hasan Nizami: Khake Aur Khaka Nigari.’ Dr Abu Salman, a reticent scholar as well known for his historical research work as meticulousness, has published the sketches with a scholarly foreword giving the details of Hasan Nizami’s life, his publications and his many literary skirmishes with luminaries such as Iqbal, Zafar Ali Khan, Mohammad Ali Jauhar and Ab-ul-Kalam Azad (p.70-93).
Dr Abu Salman has described that Hasan Nizami worked for the British and how it caused resentment against him (p.80). He has also given an account of Hasan Nizami’s offer he made, during his visit to Pakistan, to the American ambassador to work for the American propaganda machinery (p.88). His 80-page scholarly foreword has raised many questions about Hasan Nizami and his personality. While it is bound to raise hackles, it has been written in true scholarly spirit and honesty.
“Hasan Nizami did not have any inhibitions about the topics of his work or his sketches. He did not hesitate to write a sketch of whomsoever he deemed fit, be it spread over many pages or a few lines. He wrote sketches of Allah, angels, Satan… saints and even actresses and prostitutes,” writes Dr Moinuddin Aqeel in his foreword to the book.
Published by Poorab Academy, Islamabad, the book is at once educative and entertaining.

