Finally, a legislator has shown the sense to say a few words about the utterly unfair and exploitative manner in which motorists have to pay for parking in Karachi. Farheen Ambreen of the Muttahida Qaumi Movement said on a point of order during proceedings of the Sindh Assembly last week that parking fee should be charged only during office hours and not on public holidays.
MPA Ambreen is only echoing what most people who have cars in Karachi feel - that the system of charged parking needs to be radically overhauled and made fairer, and this means safeguarding the rights of motorists and motorcyclists.
Both points - that of paying charged parking only during working hours and free parking on public holidays - make eminent sense from the point of view of economics and environmental concerns. Since space is limited and since the demand for parking is quite high, it is only rational to charge those who wish to park their cars in crowded city centre neighbourhoods.
However, those who have devised and operate the charged parking scheme in Karachi seem to be working using some other logic. First of all, the city does not have in place an efficient, reliable or affordable public transport network.
To some, a flat parking fee of ten rupees might seem especially unfair in this particular context given that commuters who own cars face an alternative which is not reliable, not safe and exposes them to dangerously high levels of air pollution.
There seems little sense in charging parking fee from eight in the morning to eleven at night, especially when the rush hour in even the most congested business/commercial areas starts thinning out after seven or eight in the evening. Clearly, the reason for the fee in such a case is not to regulate the flow of traffic during working hours but to make as much money from the hapless motorist/motorcyclist as possible.
To make matters worse, there is no exemption even on public holidays. Go to the Boat Basin on a Sunday morning for 'halwa- puri' and a parking attendant will promptly appear on the scene, asking for his ten-rupee fee. And, anyone who has been to Saddar or other busy parts of the city will have seen that no parking fee is ever paid by taxis or rickshaws that usually (double)park on the roads there.
The city government, which leases out charged parking contracts to various parties, has to rationalize the whole process. The problem probably arises - and it cannot happen without official connivance at some level - because contractors are allowed to draw up their own time zones for charged parking.
The next time charged parking contracts are auctioned, the city government should include a clause under which the successful parties are allowed to charge for parking only during office hours - say, nine to six or even seven - and not on Sundays or public holidays.
The city government should also tell us how much money is collected by it every year as a result of selling charged parking contracts, and what it is spent on.
Shamsur Rehman Farooqui in city
By Hasan Abidi
Preparations were made last week by city organizations to give the Indian critic, poet and story writer Shamsur Rehman Farooqui a befitting reception as the news came that he was expected on a visit to Karachi. Writers as well as students who have been reading his prestigious journal Shabkhoon and had earlier read his treatise, Sher-i-Shor Angaiz, were anxious to meet him personally and listen to his discourse on current literary issues.
Born in 1934, Dr Farooqui was educated at Allahabad University. He joined the Indian Civil Service and retired in 1994. He also worked at the Jamia Millia Islamia, Aligarh University, and the University of Pennsylvania and is the recipient of many literary awards.
Dr Farooqui came and gave an address at a representative gathering of writers and intellectuals at NIPA on Monday. He said differences of opinion and discussion and debate were essential for the promotion of literature and culture.
Urdu, he said, "is my most precious legacy". An intellectual is one who differs from popularly held beliefs and positions. Our cultural history, he stressed, was 700 years old. Bedil, Ghalib and Iqbal were all our contemporaries, and one must try to understand the spirit of that culture.
Rawait (tradition) is never dead, and those who prefer to read only a few poets and ignore others remain unaware of the rich traditions we have inherited from our past, Dr Farooqui said and added: "Pity the nation that has lost touch with ninety per cent of its culture."
Replying to the speeches made earlier about his contribution to literature, poetry, criticism and fiction writing, Dr Farooqui said it was his quest for knowing more and more about his cultural past which had led him to try his hand at different genres. Referring to the element of contemporaneousness found in poets of different ages, he said Iqbal was the greatest poet of the last century.
Earlier, poet Saba Ikram welcomed the guest. Mobin Mirza, poet and critic, made brief comments on Dr Farooqui's books, particularly his epoch-making research 'Urdu ka ibtedai zamana' and said his books were meant to evaluate Muslim history and culture. Asif Farrukhi said Dr Farooqui was the greatest "Ghalib shanas" (Ghalib aware) of our times.
Dr Mohammad Ali Siddiqui, who was the chief guest, admired Dr Farooqui for being above all prejudices, for his unbiased thinking and for the courage of his convictions. Dr Siddiqui referred to the growing menace of globalization and said a writer should not be a mercenary. He said even one short story by Dr Farooqui was more valuable than hundreds of stories by others.
Jamiluddin Aali, who presided over the function, spoke in a light vein regarding his association with Dr Farooqui and his profound regard for the great writer.
Fateha was offered for the soul of the late Irfan Siddiqui, a poet of repute who died in Lucknow recently. A special meeting to remember Irfan Siddiqui was earlier held at the Pakistan Arts Council with Jamiluddin Aali in the chair.
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Eminent poet Munir Niazi was in the city a few days back. The poet from Lahore was greeted at a jampacked Karachi Gymkhana hall by Mr Nasim Gandhi on behalf of the club's literary and literary committee.
Poet and story writer Ms Fatema Hasan introduced shy and soft- spoken Niazi as a poet of distinct taste. But the highlight of the evening was an article presented by Samina Raja, herself a poet and writer. Her article encompassed the major aspects of Niazi's poetry, its title being 'Shaer-i-hairat, Shauq va Khauf' - an expression of wonder, fervour and fear. After his migration to Pakistan, Niazi invented his own world, its earth and skies, morning and sunset, an environment of wonderment, a 'Sheher' (city) of his own.
His poetry influenced an entire generation of young writers and poets and they should be grateful to the poet for having set such exceptional style in poetry. Prof Aslam Farrukhi recalled having been introduced to Munir Niazi in 1959 and being greatly impressed by his very individual turn of verse and phrase and found him to be a polished, amiable person.
Munir Niazi presented some of his verses and ghazals and kept the audience captivated by his soft melancholic tone. The evening was enlivened by popular singer Shakila Khurassani who sang at least six of Munir's ghazals. Munir's eyes were wet as Khurassani sang.
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Journals known as 'Digests' were for years not taken seriously because of their sex and crime stories adopted mostly from the trashy English-language magazines. But now it seems they have gained credence and respectability.
A writer at the launching of a story-collection, 'Awaazen', recalled the rise of 'modernity' during the decade of the 60s of the last century when Urdu 'afsana' had lost its element of 'story'. Later, the writer contended, readers began to get tired of meaningless fiction, and turned towards digests, which were helping to resurrect the story form.
'Awaazen', a collection of 22 stories by Musarrat Afza Roohi, a journalist and poet, was launched on Thursday with Prof Saher Ansari in the chair. Story writer Shamshad Ahmad and critic Rauf Niazi were the main speakers.
Poet Naqqash Kazmi and Sajid Ali Sajid admired the realistic approach of Musarrat Lodi asserting that every story was different from the other and there was no repetition. Only a seaman with long years of service could write such stories, Shamshad Ahmed said, and he was supported by Prof Ansari.
Ms Rehana Roohi's article on the book and about the development of Urdu fiction was appropriate for the occasion, though it was more narrative than analytical. The Adbi committee of the Arts Council and a humour journal Zarafat were the co-hosts, whose editor did the comparing.
Now a few words about comparing. A compare is supposed to invite the speaker to the podium but is often found quite charmed by the magic of his own voice. He narrates the complete biography of the speaker and also dilate on the subject to be discussed later, leaving little for others to say.
Often compares also present a synopsis of a speech already made, making the audience nod. Perhaps invitation cards issued for literary functions should also mention the time for the event to conclude. It's another matter that few if any such functions begin on time.