Like the weather in Manchester

Published June 18, 2019
The writer is Dawn’s correspondent in Delhi.
The writer is Dawn’s correspondent in Delhi.

THE weather at Old Trafford so resembled Pakistan-India ties, unpredictable and terrifying with looming stretches of grey. But short spells of sparkling sunshine seemed assured too.

At the cricket match the other day, umbrellas and plastic ponchos were out one moment and protective layers against wind chill discarded the next. This happened several times during the match and just before it began — like India and Pakistan hugging each other, occasionally uninvited, and suddenly turning frosty, unexpectedly ominous.

But the rain had a redeeming ring to it. It helped the quiet umbrellas defeat the loud national flags, which went limp in a single squall. A woman in a row ahead of ours, in fact, used the flag she had been waving to wipe her wet seat, but not before assuring that no one was looking. We shall not reveal her country, but her act did show that an instinct for self-preservation has been a key factor in human evolution, and in a crunch situation, it subsumes obeisance to vestigial identities.

Global warming has played havoc with this World Cup schedule. I’m told even the notoriously wilful Manchester weather produces clear and balmy skies at this time of the year, not the surprises that have already taken an inordinate toll of too many matches. Rain may not have helped Pakistan in the series, but it is also true that it prevented the country from being deleted in the World Cup it eventually won in 1992.

There was no bitterness, only mirth. Partition was only 13 years old, but both countries looked ready to move on.

Pakistan were a far better side than they are today. Yet they were bundled out by England for a paltry 74, an embarrassing washout for a team boasting of Inzamam-ul-Haq and Javed Miandad, Saeed Anwar and Ramiz Raja. The rains caused a washout at Adelaide and gave Pakistan a crucial point.

There is an outcry in Pakistan apparently about an allegation that some of the members of the squad against India were having a night out before the match. The accusers wouldn’t be saying this had the outcome been different to what it was.

Let me say this. I once had a conversation with Pakistan’s pace guru Sarfraz Nawaz in Dubai. He was slurring by the time we parted in the wee hours before the Sharjah match. All that Sarfraz would say was that he would take two Indian wickets the next day. I think he took three. Look. The better team won on Sunday, a far better prepared team, actually, which has little to do with anyone’s night out.

But there is something else missing in this Pakistani squad. Who plays Javed Miandad or Zaheer Abbas? Where is their Fazal Mahmood or Wasim Akram? Irshad Khan plays the sitar proficiently, but he lacks the depth of his father Imrat. Babar Azam and Fakhar Zaman played quality shots against India, but they betrayed the lack of depth and experience of Saeed Anwar.

My memory of cricket is crowded with the romance of the 1960 match in Kanpur between India and Pakistan, which ended in a draw. The thought of seeing Fazal Mahmood, Polly Umrigar, Neil Harvey, Ted Dexter, Ken Barrington, M.L. Jaisimha, Wally Grout, Sobers, Kanhai in action still gives goosebumps. Following their feats on the radio with Pakistan’s Omar Kureshi or India’s Melville D’Mello or John Arlott, when England were playing, was more educating than TV commentaries today, save perhaps Harsha Bhogle, Nasser Husain and Michael Holding.

Fazal Mahmood and Nari Contractor led the 1960 teams. Their presence on the field was poetry in motion. It was a draw in which Umrigar scored a solid century against Fazal’s sharp leg-cutters, and Jaisimha was stranded tantalisingly at 99. Javed Burki, cousin of Imran Khan, was the highest scorer for Pakistan.

This was the tour in which there was a funny incident between two Indian Muslims in the stands. A caught-behind appeal went up involving keeper Imtiaz Ahmed against Umrigar to a Fazal outswinger. The umpire negatived it. A sherwani-clad gentleman was watching the action on his binoculars. He declared he had heard a ‘click’ between the ball and the bat. Which got Safdar, the Lucknow wit, engaged. “Sir, can you hear things on your binoculars?” People had a hearty laugh. There was no bitterness, only mirth. Partition was only 13 years old, but both countries looked ready to move on.

It was my conversations with Pakhtun taxi drivers-cum-cricket enthusiasts in Sharjah in the 1980s that I cherish most. They were witty people, subtler than their Punjabi compatriots, and they enjoyed the game without nationalist rancour. The star Pakistani batsman Mohsin Khan was married to (or going to marry) Indian movie actress Reena Roy. The Pakhtuns called him ‘jeejaji’ in banter, Hindi for brother-in-law. On one occasion, they were boisterously certain that jeejaji would get Mudassar Nazar run out to help India. That joy and bonhomie were missing at Old Trafford’s one-sided game — not only at the wicket, but also in the spectators’ galleries.

Malika-i-Tarannum Noorjahan was particularly fond of the lust for life the Pakistani cabbies in the UAE displayed. She sang for them at a stretch for several evenings at Sharjah’s Expo Centre. The genteel Pakistani editorial writer at a Dubai daily felt embarrassed about her mingling with the hoi polloi. In an edit, he compared Noorjahan’s shows to one by Lata Mangeshkar. It was an upper crust show packed with rich businessmen and diplomats. The next day Noorjahan gave the leader writer an earful on the phone, and, in persuasive Punjabi, threatened to have him kidnapped in Lahore. Frightened and chastised, the journalist penned an unconditional apology. I am tempted to see Noorjahan in Pakistan’s cricket squad, and a Lata Mangeshkar in India’s.

The writer is Dawn’s correspondent in Delhi.

jawednaqvi@gmail.com

Published in Dawn, June 18th, 2019

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