FILM
Director Steven Spielberg opts to take a very low-key approach to adapting H.G. Wells’ venerable science fiction novel The War of the Worlds. The choice must have seemed the only logical one considering that a slam-bang, pump-fisting, action-packed, razzle-dazzle effects approach had already been done with pretty much the same material (right down to a little virus ultimately taking down the alien nasties) in 1996’s Independence Day.
So, sure, there are scenes of the alien tripods wiping out earthlings with their death rays and some other neatly done special effects and some decent action scenes but, generally, Spielberg goes for less-is-more. This is not the joyous, childlike-Spielberg of E.T. and Indiana Jones but the more serious, somber Spielberg of A.I. and Schindler’s List.
Here Spielberg gives us the war through the eyes of one family –– a working-class father (Tom Cruise) and his two estranged children, a 10 years old girl (Dakota Fanning) and a 15 years old rebellious teen (Justin Chatwin). He concentrates more on creating tension and a sense of foreboding rather than non-stop action. He shows us how the frightening circumstance that our protagonists find themselves in propel them to reconnect with each other and, more specifically, for the father to rediscover his own purpose in life. That’s fine as that goes and Spielberg is a master at creating a mood (though he’s done it better elsewhere) but his problem is that even the low-key approach to this material has been taken before and by a Spielberg-protégé, no less. In 2002’s Signs, M. Night Shayamalan adopted exactly this style for his tale of a war between humans and aliens, right down to concentrating on a single family headed by a patriarch (Mel Gibson) whose soul has been lost. Worse –– for Spielberg –– is the fact that Shayamalan did it better. Cruise does play the everyman harried father quite well –– but a little too well, actually.
He submerges “Tom Cruise, movie superstar” beneath his character –– but in movies like this we want to see “Tom Cruise”, larger-than-life, taking no prisoners and busting alien bones. But it’s not that kind of movie and hence Spielberg would have been better off casting a good character actor –– William H. Macy would have been wonderful in the role –– rather than a superstar.
To be sure, The War Of The Worlds is not a bad movie and it’s certainly worth checking it out on the big screen. There was nothing that I actively disliked about it (except for the constant irritating screaming from Dakota Fanning). But, ultimately, I expected to like it a lot more than I did. The movie also stars Tim Robbins in a small but important role and Morgan Freeman lends his voice as the narrator. — Khusro Mumtaz
OR
Ram Gopal Varma is one of the best directors in Mollywood right now. His movies generally exist in a realistic milieu and he knows how to tell a good story. Stylistically, too, he’s always impressive. Similarly, his latest offering, Sarkar, starring Amitabh Bachchan and Abhishekh Bachchan, is a well-photographed and tightly constructed movie. The acting is also generally pretty good and Kay Kay Menon is pretty impressive as Amitabh’s other son.
The trouble, though, is the over-familiarity of the plot. Call it the desi Godfather, if you will (Amitabh is Don Corleone and Abhishekh is Al Pacino’s Michael). Combine that with Varma’s own earlier offerings –– Satya and Company –– that dealt with the Mumbai underworld and you end up with a movie which isn’t offering up much of anything new. We’ve seen it all before –– the crosses and double crosses, the shootouts, the “good” son who gets pulled into his father’s shady orbit, the “bad” son who can’t keep his anger or his ambitions in check is that, the underworld’s connections with the political and film worlds, etc. etc.
It’s time Varma moved on from the underworld. Between his movies and those by other directors (Mahesh Manjrekar comes to mind) the genre has pretty much played itself out. It’s time to either give it a rest or to take a completely fresh approach to the subject. — K.M.
SINGLE
Not since Celine Dion signaled the sinking of the Titanic with her smash hit The Heart Goes On has a ballad inspired so many tears and touched so many hearts as Mariah Carey’s runaway comeback single We Belong Together. Whether it’s the hip-hop mix, the rap intro version, the dance club groove or the pure sob-your-heart-out soprano, this track is the love song of 2005.
With a bridge so sweet –– The feeling that I’m feeling/Now that I don’t hear your voice/Or have your touch and kiss your lips/Cause I don’t have a choice/Oh, what I wouldn’t give/To have you lying by my side/Right here, cause baby/(We belong together) –– and an even more heartbreaking chorus –– When you left I lost a part of me/It’s still so hard to believe/Come back baby, please/Cause we belong together –– this single was worth waiting for.
Carey has been dreaming of this comeback for ages. Through rehab, Glitter (the bomb album and even bigger bomb movie), weight gain, weight loss, weight gain again and an assembly line of beaus and too many broken hearts, she managed to (Keep The Faith and) Make It Happen. Her invitation to sing at Live 8 made her comeback complete and signaled this diva was here to stay. Welcome back Mariah! —T. U. Dawood
ALBUM
Whenever a member of a band goes solo, there’s always a risk that the magic or his or her music will be lost. George Michael, Robbie Williams, Beyonce and Justin Timberlake to name a few managed to make the solo star grade, but many others including the great Mick Jagger never could. Billy Corgan, who achieved both acclaim and fame as frontman to the Smashing Pumpkins, seems to be sinking in solo quicksand.
When the Pumpkins disbanded in 2000, Corgan formed Zwan, a band that inspired as many critics as fans. When that band collapsed in 2003, Corgan bemoaned the experience, shuddering at any memories. Then, he stepped away from music and began blogging on myspace.com! So, the announcement of a new album The Future Embrace was welcome news, although even diehard fans were apprehensive whether Corgan could pull it off. Unfortunately, he could not.
The Future Embrace is a half-hearted attempt at music-making. Corgan is far more talented than this less than mediocre CD suggests. Throughout the disc, the new material is filled with lyrics that are clichéd optimisms such as “I’m ready for love” and is choc-a-bloc full of synthesizers and mechanical pop, in an effort to mask the weak songs. Even the remake of the beloved Bee Gees classic To Love Somebody is tepid at best. More successful efforts include the catchy I’m Ready and the memorable The Cameraeye, but neither is worth buying the CD for. In fact, nothing is.
On and off at recent media events, Corgan has hinted at reforming the Pumpkins. Now, that’s a smashing idea. —T. U. D
CONCERT
Concert and Annual Alumini Reunion seminar and dinner of CIBES is taking place on July 23. The event is being organized with the objective of discovering ways to improve the overall education and training system. For details contact 0300 2154841.
DANCE
Kathak dancer Fasihur Rehman will be performing on July 23 at 7.30pm at the Alliance Francaise de Karachi. This performance follows the completion of the Kathak Summer Workshop 2005 for students. Entry card is available at the Alliance Francaise.
AWARD CEREMONY
First Consumer Choice Award ceremony is taking place on July 27 at PC. Top ranking product manufacturers and service providers are being given awards by the Consumer Association of Pakistan which keeps checks on consumer items. —A.S.