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The Magazine

August 25, 2002




Emotional intelligence and literature

 


THIS is with reference to Fatima Zia Dar’s article Emotional intelligence and literature (issue of July 14, 2002), wherein the writer has correctly mentioned that “New brain research suggests that emotions, not IQ tests, may be the true measure of human intelligence.”

Sir, iIence and not the IQ. of a person which gives him/her an edge over other fellows in the society. It is commonly observed that there are people with average IQ and average qualification but people still turn to them for consultation and advice. It is the emotional quotient of such persons which command exalted position in the Society.

It is unfortunate that our system of selection by various institutions, except military, is flawed in the sense that it mainly depends on the academic achievement of the person (which is mainly based on rote-learning and selective studies) and his/her I.Q. as determined/assessed in the written and oral tests. The aspect of emotional intelligence has rarely been taken into consideration which is more important than I.Q. because a person with high I.Q. is not necessarily emotionally balanced. That is why many people with high I.Q. have played havoc where-ever they worked and betrayed the confidence of their fellow-workers and employers.

It is the need of the hour that the recruitment institutions should devise necessary measures to asses the emotional intelligence of the candidates alongwith the I.Q. tests.

The advanced countries have gone even a step further, i.e., while selecting a person for a certain position, they also assess the spiritual Quotient along with his/her I.Q. and emotional quotient. Spiritual Quotient of a person indicates his/her dedication to duty, integrity, truthfulness and devotion to a noble cause.

PROF ATA-UL-HAQ SUBHANI
Faisalabad

 

From Lahore to Indian Cinema


I WOULD like to respond to the letter of Mr. Enver Eijaz Khan from Peshawar in which he has made certain observations (August 4) about Mr. Saeed Malik’s article From Lahore to Indian Cinema published earlier.

It is not correct to say that actor Pirthvi Raj Kapoor never worked in Calcutta. As a septuagenarian film buff I can vouchsafe the fact that he did stay in Calcutta for several years, where he acted in a number of films. The name of a film in which he acted, readily comes to my mind. It was Milap, which was directed by Mian A.R. kardar from a Calcutta film studio. Mr. Kapoor’s father, a police officer, originally hailed from Jhang (Punjab) but was posted in Peshawar for several years.

The Qasba of Panipat was in Karnal, which was one of the districts of Punjab before partition.Nazim Panipati, who was the younger brother of producer-director Wali Sahib, used to live at Dil Muhammad Road, in Lahore, before partition when he worked for both Pancholi and Shorey Studies in Lahore before he went to Bombay in the early 1940s. His real name was Muhammad Ismail Khan.

Poet Raja Mehdi Ali Khan, to my knowledge, was from the Potohar area of the Punjab and was not related to Maulana Zafar Ali Khan.

ABUL HAQ MIRZA
Lahore

 

The day I died


AFTER reading The day I died by Sirajuddin Aziz in the issue of Aug 4, 2002, I discovered in it an amazing similarity to the central idea of my short story, Meri Maut, which appeared in my first collection of short stories, Rihai, in April 1981.

The wife being led to the bedside of the dead person, ignoring her grief, men talking about their mundane interests by the side of the grave and the retreating footsteps after the burial are all very similar to what I mentioned in my piece of writing and considered very original by the critics when the book appeared.

HASAN MANZAR
Hyderabad



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