Dawn News

March, 31 2015
e-paper

The real Yash Chopra

Just who was the real Yash Chopra? Was it the die-hard romantic who reinvented cinematic romance once every decade? Or was it the one who helmed the high drama of Deewar, arguably the perfect execution of a Hindi film script ever? Or was it the young man whose film Waqt simultaneously presented Hindi cinema with the multi-starrer genre and the lost & found formula?

Long before he became the Baadshah of Romance, Yash Chopra was the change that ushered in a new phase of Hindi cinema. For a man known for his cinematic romance, Chopra’s first few films were far removed than the genre he’d be best associated with. His debut Dhool Ka Phool (1959) had romance as the stepping-stone but dealt with the trials of a single woman who abandons her child born out of wedlock. His next Dharmputra (1961) revisited post-partition communal disharmony and the result troubled Chopra so much that he swore off that theme. With Waqt (1965) Chopra had finally arrived and in great style too. The tale of three brothers separated at birth and reunited after living through a gamut of emotions, Waqt had great songs (Aye Meri Zoharajabeen, Aage Bhi Jaane Na Tu), great one-liners (‘Yeh chaaku hai, lag jaye toh khoon nikal aata hai’ or ‘Jinke khud ke ghar sheeshe ke ho voh dusron ke ghar pe patthar nahin pehenka karte’), and a suave villain like Chinoy Seth and it ended up presenting Hindi cinema with a perfect template of action, drama, romance and great tunes that still get the job done.

One of the things that made Yash Chopra stand apart from others was that he never allowed the rules to dictate him. Right from his first film till the very end of his 53-year long career, he was very well aware of the rules that governed Hindi cinema and chose to break them without making a fuss. This was a quality that he picked up from his elder brother. Assisting his brother B. R.Chopra on films like Naya Daur (1957), Yash Chopra understood the value of believing in what one was doing and this is the one thread that runs through his body of work. He is also the one who might be responsible for sowing the seeds of the Angry Young Man with his film Aadmi Aur Insaan (1969) where his anti-hero (Feroz Khan) wasn’t apologetic for being rich and bending the rules to suit his needs and ends up walking away with the glory over the upright hero (Dharmendra). He might have shook things a little with Waqt or Aadmi Aur Insaan but the film where Chopra truly rocked the foundations of popular Hindi cinema was Daag (1971). The debut of YashRaj Films, Daag, was a box-office success in spite of suggesting bigamy as the solution for a love triangle. If Chopra tried attempting to alter the morality of Hindi cinema’s hero with Daag, he managed to completely transform it with Deewar (1975). One might credit Salim-Javed with the creation of the Angry Young Man and Amitabh Bachchan for embodying it but it was Chopra with films like Deewar, Trishul (1978) and Kaala Pathar (1979) who truly immortalized it. Even in Kabhie-Kabhie (1976), where romance was in the forefront, Chopra gave us a variation of the Angry Young Man.

It’s strange that the two films that created Chopra’s King of Romance persona were his biggest box-office failures. Would things be different if Silsila (1981) hadn’t traded a better part of its fictional account for the alleged reality of Amitabh Bachchan-Jaya Bahaduri-Rekha? The film that truly gave us the cornerstones of a Yash Chopra romance, Silsila was to originally feature Smita Patil, Padmini Kohlapure or Parveen Babi. Similarly

Lamhe’s (1991) Mills & Boon like treatment of the May-October romance just didn’t hit the mark but both these films continue to enjoy a cult status. There is an entire generation that simply refuses to look beyond women in white chiffon sarees in the Swiss Alps or the cobbled streets of Zurich or the spa town of Baden-Baden Germany when they think of Yash Chopra. So much so that even Shah Rukh Khan convinced the late director to shoot a song in Europe for Jab Tak Hai Jaan (2012), Yash Chopra’s fourth film with him, for how could a Yash Chorpa film not feature Europe. In his death Hindi cinema has lost one of its biggest ambassadors and looking back, it’s clear that life wasn’t supposed to have just one Yash Chopra for that wouldn’t be enough for the dreams that a billion people saw.

[polldaddy poll=6630718]

 


Born a cinephile and a close observer of society, the author is an award-winning documentary filmmaker/writer. He is a regular contributor to leading Indian publications and is currently working on his first book. Find out more about him here.

 


The views expressed by this blogger and in the following reader comments do not necessarily reflect the views and policies of the Dawn Media Group.


Email news tips and feedback to News Desk, submit blogs to Blog Desk and share photos and Videos with Special Projects Desk.


Gautam Chintamani loves to closely observe society when not being devoured by Bollywood, politics and everything in between. Commissioned by Harper Collins, Gautam is presently working on a biography of Rajesh Khanna due to come out later this year. He tweets @GChintamani.


The views expressed by this blogger and in the following reader comments do not necessarily reflect the views and policies of the Dawn Media Group.


Comments (12) Closed



iftikhar
Oct 24, 2012 06:53am
Yash Chopra greatest movie is Kaala Pathar .
TK from USA
Oct 23, 2012 07:48pm
A legend who made & created many legends!
Engr. junaid
Oct 24, 2012 07:37am
Indeed he was a great film director, in the indian film industry.
Tony
Oct 23, 2012 02:47pm
You forgot to mention the best dialogue of Dewaar, Mere paas Ma hai!
Sami
Oct 23, 2012 02:26pm
Yash jii .... RIP .... millions have lost a loving fellow who has spreaded positive emotional knowledge regarding love, honesty, sincerity ....
Sharjeel
Oct 24, 2012 09:05am
Yash Chopra
Faysal Manzoor
Oct 23, 2012 06:14pm
Even Yash jee's own fav is Lamhe, and according to him it was very close to his heart and sorry Mr. Writer it was a super hit in overseas!
SURAJ
Oct 23, 2012 03:48pm
LAMHE STORY BY FAR WAS A WAY AHEAD OF TIME.HENCE IT CLICKED OVERSEAS AND PERFORMANCE BY DIVA SRIDEVI WAS A MASTERPIECE IN ITSELF.................
Ch.subba Rao
Oct 23, 2012 05:32pm
Great film maker and great article. Hat off dawn
Caz
Oct 23, 2012 04:09pm
Yash Ji was a buland sitara and a large hearted Punjabi. He brought great joy into our lives. RIP
feahmed
Oct 23, 2012 01:59pm
Without Yash Chopra, we would not know Amitabh Bachchan and Shahrukh Khan the way we do today. So much of what the world defines as Indian cinema comes from this man. I published my first-ever blog post yesterday, and it is about what Yash Chopra conveyed to us. Do read it!
Michael Warner
Oct 23, 2012 09:03pm
Mr. Yash Chopra was a great show person in the business. He developed the Indian cinema all over the world during last so many years. He worked with the greats of the Indian Cinema like Dilip sahib, Dev sahib, Raj kapoor sahib and Ashok sahib. Later he worked with stars like Dharmendra,Sunil Dutt, Rajesh and Amitab. He discovered so many new male and female stars. Had a really great sense of anticipating what the real world of cinema lovers want and will give a perfectb 100% to them. His loss is irepairable to Indian Cinema, people who liked his work and the family. My deepest condolence to his family..