LIAM Neeson’s character in Run All Night makes Bryan Mills, the actor’s trigger-happy CIA operative in three Taken films, look like Oskar Schindler.

When we first meet Jimmy Conlon, the sloppy-drunk former hit man is flat broke, dressed in a Santa suit that reeks of liquor, and making vulgar comments about a colleague’s wife. Having murdered 16 or more people — including a relative — Jimmy carries around a burden of guilt that has crushed him into the shape of something hateful.

Nicknamed the “Gravedigger”, Neeson’s anti-hero is hard to like, let alone recognise as human, even with the reservoir of goodwill that the actor’s fans naturally bring with them to his films, more and more of which feature some version of this damaged soul. Is it any wonder that Jimmy’s grown son Michael (Joel Kinnaman) hasn’t spoken to his father in five years?

Just about the only one left with any feeling for Jimmy is Shawn Maguire (Ed Harris), the mob boss for whom Jimmy once worked, and whose affection for his former triggerman seems closer to pity.

But even that pity dries up when Jimmy kills Shawn’s son Danny (Boyd Holbrook), an unpleasant cokehead who was about to shoot Michael. Shawn vows vengeance on his former employee, mustering his army of goons — and a coolly methodical hit man, robotically played by the rapper Common — to kill Michael as son-for-a-son payback. In a bid for the kind of phony redemption that movies of this ilk typically traffic in, Jimmy resolves to save Michael, at all costs.

The film by Jaume Collet-Serra, who previously directed Neeson in Unknown and Non-Stop, plays out with the stylish if numbingly schematic brutality of an artsy action flick.

Despite some cool camera work and the kind of noir-lite moral ambiguity that barely gets your shoes dirty (courtesy of a shallow script by Brad Out of the Furnace Ingelsby), the movie is the cinematic equivalent of junk food. It satisfies the craving for the sensation of nihilism, without its substance. A typical line of Jimmy’s: “Just because I’m not behind bars doesn’t mean I’m not paying for what I did.”

Oh, really? And exactly how is Jimmy paying for it?

By killing more people, apparently. After sobering up quickly enough to strain even the most generous credulity, Jimmy embarks on a one-night mission to protect his son, dispatching Shawn’s henchman and a bunch of cops (who were presumably crooked anyway) with impunity. Whenever Michael himself picks up a weapon in self-defence, Jimmy makes sure to disarm him.

And just why is that? What gradually becomes clear, in a portrait of loathsomeness that is less dramatic than depressing, is that Jimmy isn’t protecting Michael from Shawn so much as he is protecting him from turning into Jimmy.

—By arrangement with The Washington Post

Published in Dawn, March 13th, 2015

On a mobile phone? Get the Dawn Mobile App: Apple Store | Google Play

Opinion

Editorial

‘Source of terror’
Updated 29 Mar, 2024

‘Source of terror’

It is clear that going after militant groups inside Afghanistan unilaterally presents its own set of difficulties.
Chipping in
29 Mar, 2024

Chipping in

FEDERAL infrastructure development schemes are located in the provinces. Most such projects — for instance,...
Toxic emitters
29 Mar, 2024

Toxic emitters

IT is concerning to note that dozens of industries have been violating environmental laws in and around Islamabad....
Judiciary’s SOS
Updated 28 Mar, 2024

Judiciary’s SOS

The ball is now in CJP Isa’s court, and he will feel pressure to take action.
Data protection
28 Mar, 2024

Data protection

WHAT do we want? Data protection laws. When do we want them? Immediately. Without delay, if we are to prevent ...
Selling humans
28 Mar, 2024

Selling humans

HUMAN traders feed off economic distress; they peddle promises of a better life to the impoverished who, mired in...