On reading Chiragh-i-Shab-i-Afsana — Asif Farrukhi’s tribute to the late, great, Intizar Husain
Mehr Afshan Farooqi
On Intizar Husain’s legacy of cultural wisdom and poets who mourned migration in ways similar to his
Ali Akbar Natiq’s writings are his attempt to portray life as it is lived, with all its injustice, cruelty,
Farooqi recalls holding a mystery manuscript at the Ghalib Institute in New Delhi which appeared to be the 1816 divan
A new female voice in Urdu writing, Saima Iram holds her own with stories that are hard-hitting and reflective of
Julien Columeau’s works have added to Urdu’s repertoire by introducing new ways of engaging with its cultural rhetoric
Historical documents and biographies reveal there may be a reason behind differing accounts of the poet’s birthday
For me, no writer has approached the Partition the way Intizar Husain did; his connection with the past was organic.
The beauty within Mir Taqi Mir’s ghazals and nazms
Tracing the roots of the gul-o bulbul theme in poetry
A reflection on the writer and his work, particularly his favourite novel Bagh
An exploration of the symbolism of ghazaal in Urdu poetry
The author explores the special place of peacocks in Ghalib’s ghazal poetry
Letters analysed by the writer provide insight into the relationship between the poet and the Nawabs of Rampur
: A tribute to Begum Akhtar
FROM the Nuskha-e Hamidiyya; composed before 1821: The script of the...
Oh Lord, let this two-toned rose find place in the corner of the turban of acceptanceAnd let thanks be due from me ...
IN 1918, some 50 years after Ghalib’s death, a manuscript was discovered in the Hamidiyya Library in the princely...
From Nuskha-e Hamidiyya, composed in 1816: The longing for silence...
THE Urdu world simply knows her as “Shalat,” a German woman whom Majid Amjad presumably met and fell in love ...