Although there are several in the field of poetry, humorists in Urdu prose, the noted ones, can be counted on one's finger tips. A start was made with the publication of Mazaaq from Rampur, a magazine devoted to humour but it was not until 1877 that humour emerged as a full-fledged genre of Urdu literature.
That was made possible by Munshi Sajjad Husain who brought out the weekly Oudh Punch from Lukhnow. Remaining in circulation till 1912, this magazine attracted such writers as Syed Muhammad Azad, Mirza Muhammad Murtaza (under the pen name of Sitam Zarif), Munshi Jawala Parshad Burq, Akbar Allahabadi and some others.
Later to join the bandwagon were Mirza Farhatullah Baig, Sajjad Haider Yaldrum, Azeem Baig Chughtai, Prof Rashid Ahmed Siddiqi and Patras Bukhari. Entering the field much later were Shukat Thanvi, Majid Lahori, Ibrahim Jalees, Kanhayya Lal Kapur, Ibn-i-Insha and Justice M R Kayani. Today, it is Mushtaq Ahmed Yusufi who stands out among others.
Writing about present-day humorists, I have earlier made mention of Sibte Akhtar, but only briefly. Born in Amroha in 1935, he got his earlier education in Lukhnow and completed it in Karachi after landing there following partition. It did not take long for him to get employment with the PIA.
This continued for some years but with many breaks. Things finally came to a head and he was removed from service because of his trade union activities. However, being an enterprising person, he did not say die and migrated with family to the United States.
Today, two of his sons are employed there in an airline with the result that he can avail a complimentary air ticket to visit Pakistan. A friend of Dr Agha Suhail's, Sibte Akhtar came down to Lahore recently only to meet him.
Availing the opportunity, Agha Sahib invited some friends to have a gup-shup with him. Introducing the jovial and energetic person, Agha Suhail spoke about humour in general. In this connection, he made a reference to Akbar Allahabadi and said that his verses lacked it.
In this regard, I have some reservations. My contention is that Akbar's poetry does not lack humour but, at times, he does become bawdy. His quatrain about purdah is humour incarnate although he has also produced verses like:
Hijr ki shab aisey kato bhaiyo
Un ka foto ley key chato bhaiyo
Sibte Akhtar started his writing career with short stories, and switched over to humour fairly late in life. His maiden venture has been published by Irtiqa Matbooat of Karachi under the title, Jhoot Boley Kava Katey.
However, that evening, he presented me with a copy of the same book produced by Kitabi Dunya of Delhi. It carries complimentary notes about the author by such renowned Indian writers as Prof Qamar Raees and the humorist, Mujtaba Husain.
Most of the stories in the book are based on the language travails of Pakistani migrants to the US.
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I don't have to explain 'why', but it was after a long time that I went to attend the monthly readings session of the Lahore Arts Forum (LEAF). This time, I made sure to be there as Tuesday's programme had all the names of my choice - Intezar Husain, Jocelyn Ortt-Saeed and Rakhshinda Naveed.
Even handling the arts capsule was the ceramist, Dabir Ahmed, very much a colourful character. Although the Punjabi part of the programme had not been catered for in the printed programme, Muzaffar Ghaffar made adequate amends by reading pieces from Sultan Bahu and Shah Hussain, together with their English translation.
In fact, he has conducted research on all the sufi poets of the Punjab and rendered their works into English. A series of books in this regard was supposed to be published by the Oxford University Press but now the job is being undertaken by Ferozsons.
The first shock I received on reaching the allotted room in the Alhamra Cultural Complex was the news that Joceyln would not be coming because of some engagement with a foreign TV channel.
However, she had dutifully sent her charming daughter, Marium, to deputise for her. And it was she who opened the programme by vocalising the poems of her mother to the accompaniment of a guitar. It was simply enthralling.
Marium Ortt-Saeed was followed by Rakhsinda Naveed who already has two collections of poetry to her credit. That evening she read out some gahzals and a rather long nazm from her forthcoming collection which would appear under the tantalising title, Abhi Toa. Her verses went well with the audience.
Dabir Ahmed has been head of the ceramics department in the NCA and is now engaged with some project with LUMS. He came in next and spoke at length about his experiences with all kinds of potters and renowned ceramists, both within the country and in Central Asian countries and China, and seen them achieving unbelievable results by fiddling with clay and baking it. He regretted that enough attention had not been paid to the art in the country.
Inviting Intezar Husain to the rostrum, Muzaffar Ghaffar referred to his renown in the field of fiction but added that he was equally proficient in other spheres of letters.
However, picking up the mike, Intezar Husain said that he would neither be reading out a short story nor a piece from a travelogue as these days he was repeatedly been asked to read a paper on a topical issue.
As such, he would read out a paper written for a peace conference. Starting off by saying that the invention of machines had created all sorts of problems for humanity yet, he added, a writer could not provide any readymade solutions.
The fact, however, remains that like all sensible people, writers are also haters of war but what can they do except to keep their minds away from such a horrendous thing and soothe their nerves by composing love songs and weaving romantic stores?