Islamabad: "Mr. M. A. Jinnah possessed a house on Malabar Hill in Bombay, in which he lived for many years...Recently, there was a proposal to auction it together with other evacuee property. The rehabilitation ministry, however, agreed to postpone this auction.
"This matter has attracted considerable attention in Pakistan and much pleasure has been expressed at the postponement of the auction of this house. With this is expressed a hope that the house will be used in future as some kind of a memorial of Mr. M.A. Jinnah.
"I think that we should decide first of all that this house must not be sold or auctioned. I think that we should further be prepared to make a gift of it to the Pakistan government, should they desire to use it as a memorial..."
This was, according to the recently published "Selected Works of Jawaharlal Nehru", the advice given by the Congress leader and the first prime minister of India (Nehru) to his cabinet on March 7, 1955 on the issue of Jinnah House, the one time residence of the founder of Pakistan.
Half a century later, the issue remains unresolved. India continues to drag its feet on its pledge to lease or gift the property to Pakistan. Since 1979 India has made various commitments at the highest political and bureaucratic levels to lease out Jinnah House to the Pakistan government. Pakistan has reminded India of its pledges on several occasions but India has only dilly-dallied in response.
Jinnah House has immense historical significance besides its sentimental value for the Pakistani nation. The house was designed by the Quaid and built under his supervision in 1939. It was there that he lived right up till his last day in India in 1947. The Gandhi-Jinnah talks were held there in September 1944, as were the Jinnah-Jawaharlal Nehru talks in August 1946.
The British deputy high commissioner was the first occupant of this palatial house after partition. It remained as the residence of the UK deputy high commissioner.
In February 1980, the Indian ministry of external affairs told Pakistan that after the expiry of the lease, the British high commission would be asked to vacate the premises and Jinnah House would be handed over to Pakistan.
On September 3, 1981, and then on March 25, 1982, the Indian foreign minister reiterated this commitment in statements in parliament. In February 1982, the Indian chief of protocol told the Pakistan high commissioner in New Delhi that the lease could be signed with Pakistan before April 30, 1982.
On April 30, 1982, the British deputy high commission vacated the premises, but the house was not leased out to Pakistan. In August 1982, during secretary-level bilateral talks, Pakistan's secretary raised the issue again. He was told the matter was being discussed between the Indian ministries of external affairs and works. Later, in November 1982, President Zia-ul-Haq took up the matter with Prime Minister Indira Gandhi.
In December, the Pakistan foreign secretary was informed by his Indian counterpart and principal secretary to the Indian prime minister that she needed a little more time as she was under political pressure not to lease Jinnah House to Pakistan.
In June 1983, Pakistan's foreign minister, Sahabzada Yaqub Khan, reminded Indian foreign minister Narasimha Rao that Jinnah House had still not been made available for the residence of the Pakistan consul-general or deputy high commissioner. On December 3, 1983, the Indian external affairs ministry in response to a question told parliament that "it has not been found possible to accede to the (Pakistani) request."
The issue remained in a limbo for almost half a decade. Then in July 1989 the Indian prime minister during his visit to Islamabad told the prime minister of Pakistan that, as promised, he intended to give Jinnah House to Pakistan. However, he said Pakistan would have to wait a while, pointing to considerations of election and the threat of communalism in India.
Islamabad was informed through diplomatic channels in January 1990 that Jinnah House would be handed over to Pakistan for the residence of the consul-general provided Pakistan agreed to putting a plaque stating that the property had been gifted by India to Pakistan. Apparently, Pakistan did not have any problems with that.
Pakistan's foreign secretary twice raised the issue with India in 1991 but was told that such a move would trigger protests by Shiv Sena, the BJP and other extremist Hindu organizations.
Following the re-opening of consulates by the two sides in Karachi and Bombay in August 1992, Pakistan's foreign secretary raised the issue of Jinnah House with his counterpart once again. Another reminder was made in 1993 but India was not forthcoming.
Pakistan was compelled to close down its consulate in Bombay (Mumbai) only after 19 months in March 1994 due to a hostile environment and accommodation problem. Landlords were not willing to rent out their premises to house Pakistani diplomats and the consulate. A Pakistan National Day function in Mumbai had to be cancelled at the last minute because of threats from the Shiv Sena to the management of the hotel where it was to be held.
In February 1997 the property was handed over to the Indian Council of Cultural Relations, an autonomous body administered by the external affairs ministry. Reportedly it will "soon" be converted into a Saarc cultural centre.
After a decade the issue of Jinnah House has resurfaced with the recent thaw in Indo-Pakistan relations. Since the summit-level meetings in January, the matter has been informally raised with India a couple of times. The last time it came up was in March when the Indian premier's principal secretary, Brajesh Mishra, was in Lahore for the one-day cricket match.
Apparently, when Mr Mishra advocated the opening-up of the Indian consulate in Karachi with senior Pakistani officials he was told that leasing Jinnah House to Pakistan holds the key to the re-opening of the Karachi consulate shut down in 1994. Mr Mishra, however, remained non-committal.
In the renewed spirit of cooperation between the two countries, handing over Jinnah House to Pakistan will be a gracious and meaningful step towards trust-building by the new Congress government to honour the longstanding commitment of its leader.
Mukhtar Masud steals the show
By Ashfaque Naqvi
According to the dictionary, calligraphy means beautiful handwriting. It further describes it as 'fine penmanship' and also as a 'characteristic style of writing'. Since art also goes to produce something beautiful, hence calligraphy can well be considered an art. Apart from being a time honoured heritage, it is a millennium-old tradition. Widely practised in Lahore since the Ghaznavid period, it has seen the flowering of many scripts, thereby adding to the variety of penmanship.
It is unfortunate that this old tradition is facing extinction today because of modern technological advancement. There is hardly any school of calligraphy in the city today although it could boast of over 150 at the time of partition. It was, therefore, to save it from total collapse that a welfare organization under the name of the Pakistan Calligraph-artists Guild was conceived and established in 1997. It has since been doing whatever it could to embrace and look after this important tradition of human endeavour.
It was under the auspices of this guild that an evening was arranged with the intellectual-cum-bureaucrat, Mukhtar Masud. It was during his tenure as commissioner of Lahore that the Minar-i-Pakistan and Masjid-i-Shuhada came up in the city and it was he who ensured calligraphic work at both locations.
I have never seen such a good response to an invitation for a function in the Alhamra Cultural Complex as every seat seemed to be occupied in the large hall that evening. Apart from the main speakers, the guests of honour on the occasion happened to be the noted Urdu and Punjabi writer, Farkhanda Lodhi, who is also the recipient of the Pride of Performance Award, and the noted artist, Prof Zubaida Javed, TI.
The programme started with recitation from the Holy Book, followed by an introduction of the chief guests and the guest speaker to the audience. The latter part was hardly necessary, specially when the two chief guests did not have to speak a word. Anyway, the person deputed to introduce Mukhtar Masud to the audience was totally inept for the purpose. His pronunciation, enunciation and intonation left much to be desired. And while enumerating the books written by the genius, when he said Awaz Dost instead of Awaz-i-Dost, I felt like pulling him down from the stage. That was inexcusable.
That torture over, Mukhtar Masud was finally requested to wield the mike. As usual, he was at his brilliant best that evening as well. He kept the audience riveted to every word that he uttered. No one was prepared to miss any part of his illuminating talk which was interspersed with light humour. In fact, he started off by passing a remark about Athar Tahir, a bureaucrat posted these days as livestock secretary.
He happens to be the patron saint of the guild. Pointing towards the front row where he was sitting, he said it is indeed strange that a refined person like him who even writes English poetry should have been chosen to look after the livestock of the province.
Well, space does not permit me to recount all that the learned speaker said. He spoke of the stages through which calligraphy had passed. He made an oblique reference to Sir Shah Muhammad Suleman as well and bemoaned that many people today had not even heard of that eminent personage. And being an ardent fan of Sir Syed Ahmad Khan, he made special mention of his book Aasar-o-Sanadeed in which details have been given of the inscriptions on old mounds and graves which, evidently, was the work of calligraph artists.
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Although the printed programme of the literary organization, Adab Serai, clearly says that its sitting would be held on the second Monday of the month between the Asr and Maghrib prayers, I find people coming there at their own convenience. Most annoying is when someone turns up when the proceedings are being wound up and, taking advantage of the courtesy of the host, sits down nonchalantly and starts reading his verses as if all those sitting there earlier were longing for his arrival.
The sitting this time at the residence of Shahnaz Muzammil was quite the usual kind except that the attendance was rather sparse. Senior poets like Munir Saifi and Karamat Bukhari have been missing for long but that evening even regulars like Abdul Ali Shaukat, Syeda Tauqir Naqvi and the blind poet, Prof Muhammad Iqbal, were missing. Even Tainoosh left early as she had to attend another mushaira.
The poetic round that evening was mostly devoted to naats because of the sanctity of the month. However, some good ghazals were also heard. Asnath Kanwal seems to have developed into a real good poet as she stunned me with an opening verse:
Paas hota heh door hota heh
Dil main koi zaroor hota heh
I saw another young lady there that day but would not call her a first-timer. Mehr Naseem used to attend these sessions when the Adab Serai met in the Model Town Library. As such, I saw her at the present location for the first time. However, that evening she only managed to bore everyone with not one but two lengthy and meaningless pieces which she chose to call poems.